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Trans-Atlantic Circulation Of Black Tropes: Èsù And The West African Griot As Poetic References For Liberation In Cultures Of The African Diaspora, Jean-Baptiste Meunier

LSU Doctoral Dissertations

My dissertation, under the direction of Dr Pius Ngandu Nkashama explores the spread of African rhetorical tropes in the Atlantic world. Building on Henry Louis Gates theory of Signifying, I use the West African God of fate Èsù and the West African cultural figure of the griot as cultural referents for the persistence of African tropes in the New World and their subsequent dissemination throughout the Atlantic world. Analyzing those two West African referents and their connections to New World cultures such as Afro-Brazilian capoeira angola, hip hop and African-American poetry, I attempt to demonstrate the centrality of the trope …