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Full-Text Articles in Arts and Humanities
The Scent Of A New World Novel: Translating The Olfactory Language Of Faulkner And García Márquez, Terri Smith Ruckel
The Scent Of A New World Novel: Translating The Olfactory Language Of Faulkner And García Márquez, Terri Smith Ruckel
LSU Doctoral Dissertations
Both William Faulkner and Gabriel García Márquez introduce the olfactory as a focal element in their writing, producing works that challenge the singular primacy of sight as the unrivaled means by which the New World might be understood. As they translate experiences of the New World into language, both writers record the power of olfactory perception to reflect memory and history, to shape identity, to mark unmistakably certain crisis moments of ethical action, and to delineate a form of knowledge crucial to their New World poetics of the novel. Observing and analyzing the olfactory language particular to the cultural spaces …
Money And Tragedy In The Nineteenth-Century Novel, Clany Soileau
Money And Tragedy In The Nineteenth-Century Novel, Clany Soileau
LSU Doctoral Dissertations
The nineteenth-century novelists studied in this dissertation used tragic form to investigate economic and social changes taking place around them. Honoré de Balzac’s Le Père Goriot (1834), William Dean Howells’ The Rise of Silas Lapham (1884-1885), Giovanni Verga’s Mastro-don Gesualdo (1888), Benito Pérez Galdós’s Miau, (1888), and Thomas Mann’s Buddenbrooks (1901) reflect the interest of writers in France, the United States, Italy, Spain, and Germany in questions concerning how money in an evolving capitalist society not only had a major role in shaping the behavior and personalities of specific individuals but also affected such institutions as the family. Under these …
William Faulkner And The Oral Text, Gregory Alan Borse
William Faulkner And The Oral Text, Gregory Alan Borse
LSU Doctoral Dissertations
The disjunction between the oral and the literate in the works of William Faulkner reveals the different ways these distinct modes of organization combine to structure a text. The oral in Faulkner's fiction makes its presence known not only as offset speech but also as a mode of action and narrative whose logic is conjunctive rather than disjunctive. According to the literate mode, a form organizes novelistic matter. According to the oral mode, forces that function as signs rather than organizers of their form rule the action and narrative. When the disjunction between the oral and the literate is so …