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Enchantment: A Teleology, Nathanael S. Toth

Senior Honors Theses

Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.

This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …

Old Gods In New Clothes: The French Revolutionary Cults And The "Rebirth Of The Golden Age", Jennifer Boyet

Masters Theses

The French Revolution's state cults were possible because of French intellectuals' preference for pre-Christian Greco-Roman civilization, as well as France's history of heterodoxy. The philosophes endorsed ancient Greco-Roman civilization as embodying mankind's ideal and more "natural" state; French revolutionary leaders avidly read these ideas of the Enlightenment philosophers. This Enlightenment Classicalism influenced the designers of the French state religions to mirror Greco-Roman paganism in the new regime's festivals and iconography. The French people's fascination with the Occult further created the cultural and intellectual climate for the creation and acceptance of these new religions of the dechristianized republic. Under this worldview, …