Arts and Humanities Commons^™

Antilogic, Benoît Castelnérac, Mathieu Marion

Baltic International Yearbook of Cognition, Logic and Communication

This paper is an interim report of joint work begun in (Castelnérac & Marion 2009) on dialectic from Parmenides to Aristotle. In the first part we present rules for dialectical games, understood as a specific form of antilogikê developed by philosophers, and explain some of the key concepts of these dialectical games in terms of ideas from game semantics. In the games we describe, for a thesis A asserted by the answerer, a questioner must elicit the answerer’s assent to further assertions B₁, B₂,…, B_n, which form a scoreboard from which the questioner seeks …

Central American Enunciations From Us Zones Of Indifference, Or The Sentences Of Coloniality, Oriel María Siu

Studies in 20th & 21st Century Literature

This essay explores Central American diasporic experiences in the US as sites for the continued exertion and reproduction of coloniality. A longstanding matrix of power transgressing all forms of borders and permeating all aspects of life—an irreversible and transgressive disease—coloniality operates so forcefully that it upholds its own survival. In the process, we live its plural incongruity and even extend its most contemptuous signs. Surveying a series of narrative texts produced from within the Central American diaspora in cities like Los Angeles and New York—Roberto Quesada’s Big Banana, Oscar René Benitez’s Inmortales, Hector Tobar’s Tattooed Soldier, and …

Centroamericanidades: Imaginative Reformulation And New Configurations Of Central Americanness, Arturo Arias

Studies in 20th & 21st Century Literature

The principal question posed in this special issue is: Where is Central America? At a primary level this would appear to be a simple geographical question, even if it were to offer a topology of a qualitatively distinct world…

The Boo Of Viramontes’S Cafe: Retelling Ghost Stories, Central American Representing Social Death, Karina Oliva Alvarado

Studies in 20th & 21st Century Literature

Chicana author Helena María Viramontes’s culturally complex “The Cariboo Cafe,” renders a contemporaneous example of social death in the lives of undocumented migrants. Sociologist Orlando Patterson bases “social death” on the “profound natal alienation of the slave” (38) that once cut off from a past and future, promulgates the slave’s desocialization and depersonalization: systems also at play with undocumented Central American immigrants. While Patterson refers to an overt and systemized economic exploitation of a people, the concept remains relevant to this analysis, though symbolic. It examines a three-fold negation through the representational experiences of undocumented immigration, gender, and what Arturo …

From Epicentros To Fault Lines: Rewriting Central America From The Diaspora, Maritza Cárdenas

Studies in 20th & 21st Century Literature

This essay examines how representations from the Central American diaspora rewrite the Central American imaginary. It focuses on the ways EpiCentroAmerica—a poetry collective who view themselves as Central American, but reject a single unifying vision of home by seeing themselves as part of a transregional and transnational community—challenge traditional configurations of Central America(n). This reinscription of the signifier Central America is best exemplified in the work of Salvadoran-American poet Marlon Morales, whose poem “Centroamérica is,” avoids suturing Central America with traditional nationalist geological images of volcanoes and the isthmus, in favor of constructing Central America as an amorphous abstract and …

Cultural Transgressions In Omar S. Castañeda’S Remembering To Say ‘Mouth’ Or ‘Face’, Alicia Ivonne Estrada

Studies in 20th & 21st Century Literature

This study examines the ways Omar S. Castañeda’s Remembering to Say ‘Mouth’ or ‘Face’ (1993) deconstructs national and hyphenated identities. It argues that rooting these short stories within the Popol Wuj’s narrative structure allows for the construction of different historical references and cultural genealogies, which are not solely based on national identities or histories. This is evident in the second section entitled “Crossing the Border,” which blends myths from the Popol Wuj with the characters, contemporary historical contexts in the United States and Guatemala. At the same time, the stories illustrate the protagonists’ multiple displacements, but also their links to …

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

David Palumbo-Liu. The Deliverance of Others: Reading Literature in a Global Age. by Paul Cahill

Natalie Edwards. Shifting Subjects. Plural Subjectivity in Contemporary Francophone Women’s Autobiography by Anna Rocca

Zsuzsu Baross. Posthumously: For Jacques Derrida by Stephen Barker

Natalie Edwards, Amy L. Hubbell, and Ann Miller, eds. Textual and Visual Selves by Rachel Gabara

Stephen M. Hart. Gabriel García Márquez by Regina Janes

Vivian Liska. When Kafka Says We: Uncommon Communities in German-Jewish Literature by Tyler Whitney

The Disembodied Subject: Resistance To Norms Of Hegemonic Identity Construction In Carmen Naranjo’S Diario De Una Multitud, Regan Boxwell

Studies in 20th & 21st Century Literature

Costa Rica, whose civil war ended in 1948, represents a distinct literary space in which problematics of subjectivity were debated long before such dialectics appeared overtly in the rest of the isthmus. Carmen Naranjo’s novel Diario de una multitud (1974) is situated in this context, and her novel demonstrates a preoccupation with the heterogeneity of tico identity.

Naranjo favors a collective representation of the urban citizenry. Through the perceptual liminality of the individual subject, the friction generated by its absence, the constant blurring that resets the boundaries of specific identities, and the disappearance of the private realm, Naranjo avoids inscribing …

Diasporic Reparations: Repairing The Social Imaginaries Of Central America In The Twenty-First Century, Ana Patricia Rodríguez

Studies in 20th & 21st Century Literature

Contemporary Central American diasporic writers like Horacio Castellanos Moya, Francisco Goldman, Héctor Tobar, and Marcos McPeek Villatoro, in Senselessness (2008), The Art of Political Murder: Who Killed the Bishop? (2007), The Tattooed Soldier (1998), and the Romilia Chacón detective series, write in response to various forms of violence. They grapple with the image of Central America as a site of unsustainable violence, inhospitable material conditions, and unresolved historical issues that extend into the lives of Central Americans in the United States. The past is not easily dismissed, but lies at the core of transnational Central American subject formation. This essay …

Maurice Echeverría’S Labios: A Disenchanted Story About Lesbians In Guatemala’S Postwar Reality, Yajaira M. Padilla

Studies in 20th & 21st Century Literature

In the last two decades, lesbian, gay, and queer literary studies have gained significant ground in the broader field of Latin American cultural studies. Within this growing body of critical work, however, the Central American region and its literature have been largely ignored. This article, which focuses on the representation of lesbians and queer desire in the Guatemalan novel Labios (2004) ‘Lips’ by Maurice Echeverría, seeks to contribute to such a lack in Central American perspective. This essay contends, Echeverría’s text, one of a growing number of recent Central American narratives to call attention to and portray gay, lesbian, and/or …

Centering Panama In Global Modernity: The Search For National Identity And The Imagining Of The Orient In Rogelio Sinán’S “Sin Novedad En Shanghai”, Junyoung Verónica Kim

Studies in 20th & 21st Century Literature

Since its independence from Colombia in 1903 backed by the United States government, which resulted in a treaty that granted the US free rein to build, administer and control what would be known as the Panama Canal, Panama’s quest for modern nationhood has been severely called into question. More often than not it is posited as an artificial state with little organic unity and limited sovereignty: a state that is literally made in the USA. Panamanian intellectuals, such as Rogelio Sinán, responded to these discourses on the Panamanian nation-state by actively constructing a Panamanian national identity, and by calling attention …

Borgesian Libraries And Librarians In Television Popular Culture, Iana Konstantinova

Studies in 20th & 21st Century Literature

In the works of Jorge Luis Borges, the library appears frequently as a metaphor representative of life and its secrets. It becomes a metaphysical location, posing questions about the nature of time, life, and the universe itself. The librarian becomes a metaphysical figure, leading the search for answers to life’s questions. This article examines the way in which the Borgesian library metaphor has crossed over from the realm of literature into the realm of popular television. By examining two episodes of the BBC series Doctor Who, the TNT franchise The Librarian, and several episodes of Joss Whedon’s cult …

Claire Legendre’S Portrait Of Hypermodern Society, Michèle A. Schaal

Studies in 20th & 21st Century Literature

Theorists from various academic disciplines believe Western society has entered an age of excess and exacerbated modernity: all areas of life are affected by a will to be or do more at an always faster pace. This article focuses on French writer Claire Legendre’s literary translation of hypermodernity, especially in her narratives published over the past decade. First, it examines her portrayal of contemporary individuality, marked by all sorts of excesses and especially by the imperative to make the most of oneself and one’s life. This ideal being in itself excessive, her characters resort to extreme behaviors. However, they never …

Mirrors In The Text: Amélie Nothomb’S Mercure, Lisa F. Signori

Studies in 20th & 21st Century Literature

In Belgian author Amélie Nothomb’s 1998 novel Mercure, the multitudes of physical, figurative, and narrative mirrors invite a reflexive reading of the text. While numerous critics have focused on the intertextuality in Mercure—its most obvious manifestation of reflexivity—the novel’s intratextuality has not been analyzed as extensively, and none of these manifestations has been analyzed specifically as an instance of narrative reflexivity. Guided by the theme of mirrors and mirroring, the purpose of this article is to recast in terms of narrative reflexivity some of the extant critical analysis of Mercure, to uncover other as yet unexplored realizations …

“La Cara De Luna De Mi Madre”: Nuria Amat’S Revolution In Poetic Language In “Casa De Verano” (1999), David Richter

Studies in 20th & 21st Century Literature

Nuria Amat’s 1999 short story “Casa de verano” ‘Summer House’ presents the reader with a sensorial collage of unsettling language and violent images that effectively portray domestic abuse and the difficulty of escaping oppressive environments. The Barcelona writer’s text crosses the generic boundaries of narrative and poetry as her discourse flows freely and irrationally by employing a wide variety of charged poetic devices such as metaphor, metonymy, and antithesis. The story focuses on three orphan children who are prohibited from speaking about their subversive bisexual mother, from reading the few remaining books in the summer house, or from playing with …

French Fiction, Empathy, And The Utopian Potential Of 9/11, Tim Gauthier

Studies in 20th & 21st Century Literature

In From Solidarity to Schisms, Cara Cilano conceptualizes September 11 as a moment “characterized by unfathomable vulnerability and the possibility of a better future.” She argues the event, while traumatic, might have served as an impetus to reconfigure American self-perceptions and thoughts about its place in the world. Instead, she contends, the United States squandered the utopian potential of this moment. Cilano remains optimistic, however, because she sees European fictional discourse on 9/11 as emblematic of a desire for a melding of divergent perspectives. Their critique aims to keep America’s sense of itself unbalanced, thus providing fuel for self-reflection, …

The White Male As Narrative Axis In Mayra Santos-Febres’S Nuestra Señora De La Noche, Helene C. Weldt-Basson

Studies in 20th & 21st Century Literature

Mayra Santos-Febres’s 2006 novel, Nuestra señora de la noche, is based on the life of the Puerto Rican madam, Isabel la Negra, a legendary figure in Puerto Rican culture. Using both Mervin Alleyne’s theory of racial discrimination and Aída Hurtado’s theory of racially-based gender discrimination, which shows how the reactions of white and black females are governed by their relation of dependency on or rejection by the white male, this study illustrates how the character Isabel la Negra evolves as a postmodern, feminist character who opposes racism and gender subordination in Puerto Rico through her role as a prostitute. …

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Kathyrn Everly. History, Violence, and the Hyperreal: Representing Culture in the Contemporary Spanish Novel by Nina L. Molinaro

Jill Robbins. Crossing Through the Chueca: Lesbian Literary Culture in Queer Madrid by Salvador A. Oropesa

Juan Pablo Dabove. Nightmares of the Lettered City: Banditry and Literature in Latin America 1816-1929 by María Zalduondo

Federico Bonaddio. Federico García Lorca. The Poetics of Self-Consciousness by Carlos Jerez-Farrán

Aníbal González. Love and Politics in the Contemporary Spanish American Novel by Mónica Adriana Agrest

Practices Of The Plantation In La Loma Del Ángel, Lanie Millar

Studies in 20th & 21st Century Literature

Most analyses of Cuban author Reinaldo Arenas’s 1987 La loma del ángel, a parodical rewriting of Cirilo Villaverde’s 1882 classic Cecilia Valdés, focus on the author’s criticism of racial discrimination inherited from Cuba’s slaving society, on an allegorical condemnation of Castro’s post-revolutionary Cuba, or on the author’s creative, carnivalesque use of language. This article argues that an alternative understanding of La loma del ángel demonstrates Arenas’s circular and fatalistic historical vision, in which the exploitive plantation system reappears in different forms through Cuban history. It places La loma del ángel into the context of Arenas’s other writing about …