Arts and Humanities Commons^™

Review Of Pandora's Box: A History Of The First World War, Ian A. Isherwood

Interdisciplinary Studies Faculty Publications

Perhaps the gravest difficulty with any single volume book on the Great War is taming the war's complexities while still maintaining a degree of nuance and insight that goes beyond the temptation for simplification. Indeed, the war's scale itself makes this task even more unmanageable. How can an author possibly offer a nuanced treatment that takes into consideration a war fought on three continents, not to mention, the political and social realities on the war's many home fronts and the changing dynamics of differing and complex societies under strain? To be comprehensive is an impossible task especially given the wealth …

Something To Do With A Girl Named Marla: Eros And Gender In David Fincher’S Fight Club, Vernon W. Cisney

Interdisciplinary Studies Faculty Publications

David Fincher’s 1999 film, Fight Club, has been characterized in many ways: as a romantic comedy, an exploration of white, middle-class male angst, an existentialist search for meaning amidst the moral ruins of late capitalism, an anarchist manifesto, and so on. But common to nearly every reading of the film, critical and laudatory alike, is the assumption that Fight Club is indisputably a celebration of misogynistic, masculinist virility and violence. On its face, this assumption appears so overwhelmingly obvious as to render superfluous any argumentation in support thereof, and absurd any opposing argumentation. Consider the ubiquitous homoerotic adulation of the …

Review Of Baptism Of Fire: The Birth Of The Modern British Fantastic In World War I, Ian A. Isherwood

Interdisciplinary Studies Faculty Publications

The Great War had a lasting influence on literature and literary culture in Britain. Spanning the ‘brows’ of literary taste were authors writing in response to the cataclysmic violence experienced by the war generation, at both the war front and the home front. The war's shadow permeated all aspects of cultural expression; its experience found authors who, with varying degrees of success, wrote on its lasting influence to a readership that, as the decades wore on, grew increasingly afraid of another world war. One of the responses undoubtedly influenced by the war was the genre of fantasy. As one of …

When The Hurlyburly's Done / When The Battle's Lost And Won: Service, Suffering, And Survival Of Civil War And Great War Veterans, Ian A. Isherwood

Interdisciplinary Studies Faculty Publications

Marching in the Gettysburg Liberty Parade in May 1918 was a drum corps consisting entirely of Civil War veterans. As local citizens demonstrated their patriotism—notably with the Kaiser hanging in effigy—the old soldiers helped keep the pace for two thousand citizens who turned out to vigorously support the Great War. It was no doubt a moving moment, the nation's largest veteran demographic encouraging and supporting the next generation of soldiers to fight for cause and country in a very different war waged on a very different continent. Though fifty years separated the trenches of Petersburg from those of the western …

Review Of The War That Used Up Words: American Writers And The First World War, By Hazel Hutchison, Ian A. Isherwood

Interdisciplinary Studies Faculty Publications

There is a vast array of scholarship on the literature of the First World War, much of it concerning British authors. When American war literature is considered, it is usually the so-called “Lost Generation” writers of the 1920s and 1930s. If the war had a significant effect upon American literature, it is argued, then it served as a trope for some of the great writers of the 1920s—Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner—who wrote of living in its generational shadow in the following decades of so-called peace.

Hazel Hutchison’s book is a corrective to the many assumptions about …