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Full-Text Articles in Arts and Humanities
Where I Am, There (Sh)It Will Be: Queer Presence In Post Modern Horror Films, Melanie Mcdougald
Where I Am, There (Sh)It Will Be: Queer Presence In Post Modern Horror Films, Melanie Mcdougald
English Theses
This paper will consider the function of queer space and presence in the post modern horror film genre. Beginning with George Romero’s 1968 film Night of the Living Dead and continuing through to contemporary examples of the genre, the paper posits the function of the queer monster or monstrous as integral to and representative of the genre as a whole. The paper analyzes both the current theory and scholarship of the genre and through Lacanian psychoanalytic theory and queer theory offers a theory of how these theories can add to existing theory and scholarship.
Taking Eudora Welty's Text Out Of The Closet: Delta Wedding's George Fairchild And The Queering Of Saint George, James R. Wallace
Taking Eudora Welty's Text Out Of The Closet: Delta Wedding's George Fairchild And The Queering Of Saint George, James R. Wallace
English Theses
Eudora Welty’s characterization of George Fairchild (Delta Wedding) queers the heroic masculine ideal, St George, whose legendary exploits have been popularized in narrative literature, Catholic iconography, and children’s fairy tale. Lauded by the Fairchild women for his “difference,” George’s sexuality offers him an identity apart from the suffocating Fairchild family myth. George Fairchild’s queer sexuality and homoeroticism augments our critical understanding of Delta Wedding, the character, as well as other characters. The author’s subtly politicized construction of the novel’s ostensible hero subverts literary tradition, the gender binary, and patriarchal myth.