Arts and Humanities Commons^™

Inconversation, Lyndall Adams, Claire Alexander, Emily Alexander, Frances Barbe, Majella Barbe, Megan Moe Beitiks, Gemma Ben-Ary, Anna Bowen, Heather Boyd, Melisa Charenko, Danna Checksfield, Nandi Chinna, Katie Chown, Lucinda Coleman, Hannah Conda, Samantha Crameri-Miller, Paddi Creevey, Wayne Cristaudo, Cornelius Delaney, Leonie Dunlop, Mace Francis, Rusty Geller, Sue Girak, Miik Green, Louise Helfgott, Catherine Higham, Rebecca Ingram, Teresa Izzard, Marija Jukic, Christopher Kueh, Jacob Lehrer, Carolyne Lewis, Johannes Luebbers, J Scott Macivor, Alex Mckee, Vahri Mckenzie, Gabrielle Metcalf, Nick Mortime, Astrida Neimanis, Renée Newman-Storen, Charity Ng, Finn Pedersen, Perdita Phillips, Marcella Polain, Sarah Robinson, Nien Schwarz, Liz Stops, Rochelle Summerfield, Sharon Thompson, Paul Uhlmann, Mats Undén, George Walley, Min Zhu

ECU Books

inConversation was a collaborative exhibition amongst creative higher degree by research candidates (from the School of Communications and Arts and the Western Australian Academy of Performing Arts), local, national and international arts practitioners and researchers from different art forms and discipline backgrounds. The exhibition invited conversations between artists and researcher collaborators working together to produce a broad range of creative works, culminating in an exhibition titled inConversation, staged at Edith Cowan University’s Spectrum Project Space in October 2014.

The context for the inConversation exhibition aimed to inform and expand on current debates about the challenges and benefits of inter- and …

Analogue Angels And Digital Diamonds: Tracing The Origins Of New Media Art, John C. Ryan

Research outputs 2014 to 2021

This paper explores the key vocabularies, themes, ideas, artistic movements, and technological innovations contributing to the development of the digital arts over time. As new media theorists have argued, one of the defining features of the digital arts is the break-down of divisions between art forms, and between art and society (for example, Manovich 2001, 2005). This paper outlines how digital processes intersect with aesthetic and conceptual forms. Relevant frameworks, such as materiality, embodiment, hybridity, interactivity, and narrativity, form the origins of the genre. Digital artworks, like digital media, are interactive, participatory, dynamic, and customizable, incorporating shifting data flows and …

A Leap In The Dark: Identity, Culture And The Trauma Of War Mediated Thorough The Visual Arts Of North-East European Migrants And Émigrés To Australia After 1945, Eileen Whitehead

Theses: Doctorates and Masters

This thesis explores the contribution to the cultural life of post-war Australia by migrant artists from north-eastern Europe. It researches the lives and work not only of displaced artists arriving in the mass exodus from Europe after the Second World War, but also second and third generation artists descended from original migrant families, and much later émigré artists.

Art histories written to date about the post-war period provide little coverage of the contributionto the art and culture of Australia by migrant artists from north-eastern Europe. The coverage in the literature written about the visual art produced by established Australian artists …