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Full-Text Articles in Arts and Humanities
The Fringe Or The Heart Of Things? Aboriginal And Torres Strait Islander Musics In Australian Music Institutions, Clint Bracknell, Linda Barwick
The Fringe Or The Heart Of Things? Aboriginal And Torres Strait Islander Musics In Australian Music Institutions, Clint Bracknell, Linda Barwick
Research outputs 2014 to 2021
Teetering on the fringe of Australian music scholarship and knowledge institutions, research and teaching of local Indigenous musics hold a marginal place, belying the positioning of Indigenous music-makers at the centre of international representations of Australian culture, and the dynamic local connections of Indigenous music-making to Australian landscapes and social realities. Music’s ubiquity and diversity worldwide show its potential as a tool to manage the changing world in societies of the past and present, yet this potential is largely neglected in contemporary Australia, and our theories and evidence base are limited by the narrow western focus within our knowledge institutions. …
Notational Strategies For Integrating Live Performers With Complex Sounds And Environments, Lindsay Vickery
Notational Strategies For Integrating Live Performers With Complex Sounds And Environments, Lindsay Vickery
Research outputs 2014 to 2021
This paper describes strategies for integrating live performers with complex “extra-musical” sounds and environments through extended traditional and proportional notations. The subjects of the works discussed include Animals (wardang [2019], kurui [2018]) and environments (rising water [2018], willsons downfall [2018], njookenbooro [2018]) . The techniques include spectrographic transcription, audio processing, extended forms of notation and spatial audio.
No Human Ever Made A Cathedral Such As This: Scoping The Ecology Of The Carols By Candlelight Effect In Australia’S Open-Air Environments, Robin Ryan
Research outputs 2014 to 2021
During Australia’s dry December, traditional and popular forms of caroling shape the sight and sound of the key Christian festival of Christmas. Creative connections between belief, place, and music are characteristically manifest in focused open-air environments of beach, bushland or park. Reasoning from gospel belief that the very first “Christmas carol” emanated from a heavenly host of angels singing to an audience of shepherds in a field, caroling alfresco is an appropriate activity. How, then, do Australian caroling venues become conducive to environmental spheres of sound and influence? While the annual mass Carols by Candlelight concerts televised from Melbourne and …
Pre-Service Primary Teachers' Experiences And Self-Efficacy To Teach Music: Are They Ready?, Geoffrey M. Lowe, Geoff W. Lummis, Julia Morris
Pre-Service Primary Teachers' Experiences And Self-Efficacy To Teach Music: Are They Ready?, Geoffrey M. Lowe, Geoff W. Lummis, Julia Morris
Research outputs 2014 to 2021
Music is essential in developing the young brain, particularly skills relating to concentration, filtering, information retrieval, verbal competencies, mental visualisation, problem solving, empathy and personal expression. With the introduction of the Australian National Curriculum and its adoption as the basis of the Western Australian P-10 music syllabus, there is cause to reflect on the effectiveness of music provision within teacher education courses and pre-service generalist teachers' abilities to deliver the new music syllabus. Accordingly, a mixed method study was conducted with first and fourth year Bachelor of Education primary students at a Western Australian university, to investigate students' music experiences …
The Possibilities Of A Line: Marking The Glissando In Music, Cat Hope, Michael Terren
The Possibilities Of A Line: Marking The Glissando In Music, Cat Hope, Michael Terren
Research outputs 2014 to 2021
The glissando as it is deployed in Western art music notation carries with it a number of challenges to the hegemony of traditional harmony, rhythm, and notation. The glissando embodies the smooth line, unlike the striated pitch-time space of traditional Western music, which aligns the glissando to many philosophical concepts, as well as mathematical, scientific, and architectural disciplines. Select works by Iannis Xenakis, James Tenney and Giacinto Scelsi are discussed for their development of glissandi as integral formal components, especially around the glissando’s tendency to encourage stasis. Compositional attempts to combine the nature of glissandi with drone in the author’s …
Nothing Happens Here: Songs About Perth, Jon Stratton, Adam Trainer
Nothing Happens Here: Songs About Perth, Jon Stratton, Adam Trainer
Research outputs 2014 to 2021
This essay examines Perth as portrayed through the lyrics of popular songs written by people who grew up in the city. These lyrics tend to reproduce the dominant myths about the city: that it is isolated, that it is self-satisfied, that little happens there. Perth became the focus of song lyrics during the late 1970s time of punk with titles such as 'Arsehole of the Universe' and 'Perth Is a Culture Shock'. Even the Eurogliders' 1984 hit, 'Heaven Must Be There', is based on a rejection of life in Perth. However, Perth was also home to Dave Warner, whose songs …
Multi-Point Nonlinear Spatial Distribution Of Effects Across The Soundfield, Stuart James
Multi-Point Nonlinear Spatial Distribution Of Effects Across The Soundfield, Stuart James
Research outputs 2014 to 2021
This paper outlines a method of applying non-linear processing and effects to multi-point spatial distributions of sound spectra. The technique is based on previous research by the author on non-linear spatial distributions of spectra, that is, timbre spatialisation in the frequency domain. One of the primary applications here is the further elaboration of timbre spatialisation in the frequency domain to account for distance cues incorporating loudness attenuation, reverb, and filtration. Further to this, the same approach may also give rise to more non-linear distributions of processing and effects across multi-point spatial distributions such as audio distortions and harmonic exciters, delays, …
Spectromorphology And Spatiomorphology Of Sound Shapes: Audio-Rate Aep And Dbap Panning Of Spectra, Stuart James
Spectromorphology And Spatiomorphology Of Sound Shapes: Audio-Rate Aep And Dbap Panning Of Spectra, Stuart James
Research outputs 2014 to 2021
Explorations of a new mapping strategy for spectral spatial-isation demonstrate a concise and flexible control of both spatiomorphology and spectromorphology. With the crea-tion of customized software by the author for audio-rate histograms, spectral processing function smoothing, spec-tral centroid width modulation, audio-rate distance-based amplitude panning, audio-rate ambisonic equivalent pan-ning, a growing library of audio trajectory functions, and an assortment of spectral transformation functions, this article tries to explain the rationale of this process.
Mr Barbecue By Elena Kats-Chernin: The Raw And The Cooked, Helen K. Rusak
Mr Barbecue By Elena Kats-Chernin: The Raw And The Cooked, Helen K. Rusak
Research outputs 2014 to 2021
This article examines the music theatre work Mr Barbecue (2002) composed by Elena Kats-Chernin, based upon a libretto by Janis Balodis. It looks at the work within the context of her two previous music -theatre works Iphis(1997) and Matricide: The Musical (1998), which I argue express a feminine aesthetic. I refer particularly to Eva Rieger’s theories on the “restricted aesthetic” outlined in her article “’I recycle Sounds’: Do Women Compose Differently?”. With the commissioning of Mr. Barbecue, Kats-Chernin was required to set a libretto which expressed the new wave of masculinist thinking that emerged in the 1990’s as a backlash …
Stability And Accuracy Of Long-Term Memory For Musical Pitch [Journal Article], Alyce K. Hay, Craig P. Speelman
Stability And Accuracy Of Long-Term Memory For Musical Pitch [Journal Article], Alyce K. Hay, Craig P. Speelman
Research outputs 2014 to 2021
Existing research gives an inconsistent picture of the nature of the cognitive processes underlying memory for musical information. A study was conducted to investigate the stability and accuracy of long-term memory for pitch amongst individuals who have not had musical training. Excerpts from well-known pop songs were used as stimuli. Participants heard one long sequence of excerpts, each of which had been raised or lowered in pitch by one semitone, or left unaltered. After hearing each excerpt, participants were asked to detect whether it was different from the original version of the song they remembered. Participants were significantly worse at …
Algorithmic Composition In Contrasting Music Styles, Tristan Mcauley, Philip Hingston
Algorithmic Composition In Contrasting Music Styles, Tristan Mcauley, Philip Hingston
Research outputs pre 2011
The aim of this research was to automate the composition of convincingly “real” music in specific musical genres. By “real” music we mean music which is not obviously “machine generated”, is recognizable as being of the selected genre, is perceived as aesthetically pleasing, and is usable in a commercial context. To achieve this goal, various computational techniques were used, including genetic algorithms and finite state automata. The process involves an original, top down approach and a bottom up approach based on previous studies. Student musicians have objectively assessed the resulting compositions.
Arts On The Edge Conference: 30 March - 3 April Perth 1998 Western Australia, Western Australian Academy Of Performing Arts
Arts On The Edge Conference: 30 March - 3 April Perth 1998 Western Australia, Western Australian Academy Of Performing Arts
Research outputs pre 2011
No abstract provided.