Arts and Humanities Commons^™

“La Frida No Envejeció, Yo Soy La Frida Envejecida”. La Ultima Performance De Pedro Lemebel, Fernando A. Blanco

Faculty Journal Articles

A partir de su último encuentro con Pedro Lemebel, el articulista lee la proxémica de dicha cita como un epígrafe performático que permite ordenar de manera comprensiva y especulativa la producción transmedial de Lemebel (crónica, novela y performance). Se concluye que, en sus distintas acciones, los textos de Lemebel funcionan como herramientas de un operador de la historia cultural chilena a través de la manipulación de los signos del cuerpo homosexual.

Waiting As Resistance: Lingering, Loafing, And Whiling Away, Harold Schweizer

Faculty Journal Articles

„Waiting as Resistance: Lingering, Loafing, and Whiling Away” is a critique of the economics of consumption, suggesting that the widespread denigration of waiting as lost time and its economic and psychological displacements in consumer goods amount to a denigration of human life itself. In the practice of lingering and its related temporalities, the author proposes, we regain an appreciation of the fundamental temporality of all things, that everything, we humans included, is constituted by time. Conceptually indebted to Theodor Adorno and substantiated with reference, chiefly to Walt Whitman’s “Leaves of Grass” and other poetic works, this argument throughout opposes the …

Black Lives, Sacred Humanity, And The Racialization Of Nature, Or Why America Needs Religious Naturalism Today, Carol W. White

Faculty Journal Articles

Embedded in persistent representations of people of African descent as inferior beings or subpar humans are problematic notions of animality, race, and nature in the U.S., or a lethal combination of intimately conjoined white supremacy and species supremacy. Confronting these processes is a model of African American religious naturalism, which presupposes human animals’ deep, inextricable homology with each other and with other natural processes. Building on the ideas of Anna J. Cooper, W. E. B. du Bois, and James Baldwin, this model of religious naturalism emphasizes humans as sacred centers of value and distinct movements of nature itself where deep …

Immanent Frames: Meiji New Buddhism And The 'Religious Secular', James Shields

Faculty Journal Articles

The secularization thesis, rooted in the idea that “modernity” brings with it the destruction—or, at least, the ruthless privatization—of religion, is clearly grounded in specific, often oversimplified, interpretations of Western historical developments since the eighteenth century. In this article, I use the case of the New Buddhist Fellowship (Shin Bukkyō Dōshikai 新仏教同志会) of the Meiji period (1868–1911) to query the category of the secular in the context of Japanese modernity. I argue that the New Buddhists, drawing on elements of classical and East Asian Buddhism as well as modern Western thought, promoted a resolutely social and this-worldly Buddhism that …

Review: Oleg Benesch, Inventing The Way Of The Samurai: Nationalism, Internationalism, And Bushidō In Modern Japan, James Mark Shields

Other Faculty Research and Publications

No abstract provided.

Commentary On Against Harmony, James Shields

Other Faculty Research and Publications

No abstract provided.

Review: Ikuho Amano, Decadent Literature In Twentieth-Century Japan: Spectacles Of Idle Labor., James Shields

Other Faculty Research and Publications

No abstract provided.

The Scope And Limits Of Secular Buddhism: Watanabe Kaikyoku (1868–1912) And The Japanese New Buddhist 'Discovery Of Society', James Shields

Faculty Contributions to Books

Although New Buddhism is a term sometimes employed to refer to the broad sweep of reform and modernization movements in Japanese Buddhist thought and practice beginning in the 1870s, the term shin bukkyō refers more specifically to a broadly influential movement of some two dozen young scholars and lay Buddhists active in the last decade of the Meiji period (1868–1912). Founded in February 1899 as Bukkyō Seito Dōshikai (Buddhist Pure Believers Fellowship or Buddhist Puritan Association), the group changed its name to Shin Bukkyō Dōshikai (New Buddhist Fellowship) in 1903. Notto Thelle refers to the NBF as “the most consistent …

Surplus Rebellion, Human Capital, And The Ends Of Study In Chile, 2011, D. Bret Leraul

Faculty Journal Articles

This article traces a dual representational crisis, at once mimetic and political, coursing through Chile’s 2011 movement and its post-Transition conjuncture. It aims to reconfigure the archive of 2011 in order to release its radical potential from the obfuscating solutions offered by the alliance of its dominant academic and journalistic reception and Chile’s elitist, liberal democracy, and to understand why in 2016 –five years since 2011 and a decade since the outbreak of student unrest– Chilean people continue to defy the state.Through a close reading of an anonymous pamphlet defending the violent, masked protestors known as encapuchados, I argue …

Book Review: Kirin Narayan, Everyday Creativity: Singing Goddesses In The Himalayan Foothills (Kirin Narayan), Coralynn V. Davis

Faculty Journal Articles

No abstract provided.

“Why (Not) Philosophy Of Stand-Up Comedy?”, Sheila Lintott

Faculty Contributions to Books

Stand-up comedy has been largely ignored by analytic philosophers of art, including those interested in comedy and humor. This is somewhat surprising, given the immense popularity of stand-up comedy and the rock star status enjoyed by some comedians today. I suspect that philosophers are just as likely to enjoy stand-up comedy as anyone else; in some cases (i.e. for some philosophers and some comedians), probably more likely. Here I offer some reasons philosophers of art should take the time to consider stand-up comedy and possible explanation for why philosophers of art have paid far less attention to stand-up comedy than …

Reifying The Maker As Humanist, John Hunter, Katherine Faull, Diane Jakacki

Faculty Contributions to Books

No abstract provided.

Are Musical Autobiographical Memories Special? It Ain’T Necessarily So, Andrea R. Halpern, Jennifer M. Talarico, Nura Gouda, Victoria J. Williamson

Faculty Journal Articles

We compared young adults' autobiographical (AB) memories involving Music to memories concerning other specific categories and to Everyday AB memories with no specific cue. In all cases, participants reported both their most vivid memory and another AB memory from approximately the same time. We analyzed responses via quantitative ratings scales on aspects such as vividness and importance, as well as via qualitative thematic coding. In the initial phase, comparison of Music-related to Everyday memories suggested all Musical memories had high emotional and vividness characteristics whereas Everyday memories elicited emotion and other heightened responses only in the ‘‘vivid’’ instruction condition. However, …

Pitch Imitation Ability In Mental Transformations Of Melodies, Emma B. Greenspon, Peter Q. Pfordresher, Andrea R. Halpern

Faculty Journal Articles

Previous research suggests that individuals with a vocal pitch imitation deficit (VPID, a.k.a. "poor-pitch singers") experience less vivid auditory images than accurate imitators (pfordresher & halpern, 2013), based on self-report. in the present research we sought to test this proposal directly by having accurate and VPID imitators produce or recognize short melodies based on their original form (untransformed), or after mentally transforming the auditory image of the melody. For the production task, group differences were largest during the untransformed imitation task. importantly, producing mental transformations of the auditory image degraded performance for all participants, but were relatively more disruptive to …

That Note Sounds Wrong! Age-Related Effects In Processing Of Musical Expectation, Andrea R. Halpern, Ioanna Zioga, Martin Shankleman, Job Lindsen, Marcus T. Pearce, Joydeep Bhattacharya

Faculty Journal Articles

Part of musical understanding and enjoyment stems from the ability to accurately predict what note (or one of a small set of notes) is likely to follow after hearing the first part of a melody. Selective violation of expectations can add to aesthetic response but radical or frequent violations are likely to be disliked or not comprehended. In this study we investigated whether a lifetime of exposure to music among untrained older adults would enhance their reaction to unexpected endings of unfamiliar melodies. Older and younger adults listened to melodies that had expected or unexpected ending notes, according to Western …

Musical Expertise Has Minimal Impact On Dual Task Performance, Gianna Cocchini, Maria Serena Filardi, Marcela Crhonkova, Andrea R. Halpern

Faculty Journal Articles

Studies investigating effect of practice on dual task performance have yielded conflicting findings, thus supporting different theoretical accounts about the organisation of attentional resources when tasks are performed simultaneously. Because practice has been proven to reduce the demand of attention for the trained task, the impact of long-lasting training on one task is an ideal way to better understand the mechanisms underlying dual task decline in performance. Our study compared performance during dual task execution in expert musicians compared to controls with little if any musical experience. Participants performed a music recognition task and a visuo-spatial task separately (single task) …

El Presente Cautivo: Violencia Y Memoria En Así Empieza Lo Malo De Javier Marías, Isabel Cuñado

Faculty Journal Articles

No abstract provided.

Audience Reactions To Repeating A Piece On A Concert Programme, Andrea R. Halpern, Chloe H.K. Chan, Daniel Müllensiefen, John Sloboda

Faculty Journal Articles

Repetition of a piece on a concert programme is a well-established, but uncommon performance practice. Musicians have presumed that repetition benefits audience enjoyment and understanding but no research has examined this. In two naturalistic and one lab study, we examined audience reaction to repeated live performances of contemporary pieces played by the same ensemble. In all studies, we asked listeners to rate their enjoyment and willingness to hear the piece again (Affective), and perceived understanding and predicted memory of the piece (Cognitive). In Study 3, we assessed immediate recognition memory of each excerpt. In all studies, Cognitive variables increased significantly. …

The State, The Gentry, And Local Institutions: The Song Dynasty From A Longue Durée Perspective, Song Chen

Faculty Journal Articles

Review essay on five books:

• Cunshe chuantong yu Ming Qing shishen: Shanxi Zezhou xiangtu shehui de zhidu bianqian 村社傳 統與明清士紳：山西澤州鄉土社會的制度變遷(Village Worship Associations and the Gentry in Ming and Qing Times: Institutional Transformations in the Local Society of Zezhou, Shanxi). By DU ZHENGZHEN 杜正貞. Shanghai: Shanghai cishu chubanshe, 2007. 348 pp. CNY 30.00 (paper).
• The Destruction of the Medieval Chinese Aristocracy. By NICOLAS TACKETT. Cambridge, Mass.: Harvard University Asia Center, 2014. xiv + 281 pp. $49.95 (cloth), $25.00 (paper).
• Kin Gen jidai no kahoku shakai to kakyo seido: Mōhitotsu no “shijin sō” 金元時代の華北社会と 科挙制度―もう一つの「士人層」(Society and the Examination System in North …