Arts and Humanities Commons^™

Looking Back And Looking Forward, Enok Mortensen

The Bridge

If the newly formed Danish-American Heritage Society is to accomplish what it so boldly visualizes it must focus on two primary aims.

It must somehow convince, it not thousands, then at least a substantial number of Danish-Americans of the importance of its stated purposes, so that the Society can be adequately supported and become a vital force. Secondly, it must solve the difficult problem not only of collecting archivalia, but of maintaining central depositories, museums, or at least some kind of cultural service center. Swedish-Americans have their fine institute at Minneapolis, Norwegians their St. Olaf's and Decorah, and Finnish-Americans have …

Elfrida Pedersen Collection, Clinton M. Hyde

The Bridge

Elfrida Jensen, born September 13, 1886, in Horsens, Denmark, came to Seattle with her parents ca. 1904. Within a short time she had a role in a Danish play presented by the Danish Young Peoples Society "Dagmar". Her association with this Danish Dramatic Club (later called Harmonien) lasted a lifetime. Besides playing the lead roles in many Danish plays, "Frida", as she became called, wrote and adapted scripts, wrote songs and poems in Danish and English for the stage in Washington Hall in Seattle and for parties and wedding anniversaries.

Dark Nights And Long Days: Myths Of The North, Erik S. Hansen

The Bridge

The following is a "retelling" of the major tales of Norse mythology. It seemed that a periodical of a society devoted to heritage might well pay homage to the deepest roots of our history, to the beginnings of it al/, to the earliest records of our forefathers and foremothers, who first grappled with who they were and where they came from . The author notes that "people need to be reminded that the Norse gods were not just a bunch of unruly pagans -- they were GODS in their own day, and not only that, they were a lot like …

A Survey Of Mormon Literary Criticism, Colin B. Douglas

Theses and Dissertations

Three general questions concerning literature have been addressed by the writers considered in this thesis: What constitutes a work of literary art? What ought to be valued by Latter-day Saints in a literary work? How should criticism be conducted by Latter-day Saints? To the first question, five basic answers have been proposed: significant form, uplifting thought content clothed in decorative form, typological symbol, ikon (as the word is used by C S lewis in An Experiment in Criticism), and capacity for helping the reader achieve a kind of "negative capability." These definitions also tend to be statements of value, …