Arts and Humanities Commons^™

Milneburg, New Orleans: An Anthropological History Of A Troubled Neighborhood, Betty A. Smallwood

University of New Orleans Theses and Dissertations

For nearly 200 years, there has been a neighborhood in New Orleans, Louisiana named Milneburg, which has been constantly reimagined by its inhabitants and others. From its inception as a port of entry in 1832 until the 2011, it has been called a world-class resort, the poor-man's Riviera, a seedy red-light district, a cradle of jazz, a village, a swath of suburbia and a neighborhood. It has been destroyed eight times due to storms, fires, and civic or governmental neglect. Each time its residents have rebuilt it. In its last iteration as a post-Katrina neighborhood, the residents reestablished the Milneburg …

Marshall University Department Of Music Presents The Mu Jazz Combos Concert, Pat Billups, Clancy Hatfield

All Performances

No abstract provided.

David Esleck Trio, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Combo Night 2011, Lynne Arriale, Daniel Dickinson, Brannen Pfister, Jose Rojas, Kevin Maddox, Chase Maddox, Brad Morse, David Smith, Sean Devivo, Richard Garcia, Joe Devolin, Erik Lofgren, Javier Enrique Arguello, Stefan Klein, Landon Baker, Diego Herrada, Stephen Justice, David Ott, Kelly Green, Javian Francis, Mike Perez, Emily Maddox, Alex Degnats, Alex Hernandez, Austin Gill, Phil Engsberg, Leo Vera, Ryan Slatko, Eric Ibarra, Alexander Alden Le Marchant-Smith, Mitchell Register

Music Performances

UNF Music Flagship Program Presents Combo Night Featuring UNF Jazz Studies Students

Wednesday, October 5, 2011 UNF Fine Arts Center - Choir Room, 1404

All Play And No Work: An Ontology Of Jazz, Andrew Kania

Philosophy Faculty Research

If we consider different Western musical traditions, such as classical, rock, and jazz, we can find the same kinds of entities employed in all three traditions. For instance, there are recognizable, reinstantiable songs in all three traditions. There are also events we would happily call live performances of those songs, as well as recordings of them. Yet it is also true that these kinds of entities are treated differently in each of these traditions. For instance, those who produce and listen to rock recordings take, for the most part, a very different attitude toward what counts as acceptable use of …

Al Sears' Saxophone At York Library, John A. Drobnicki

Publications and Research

Among the memorabilia in the York College Library's Music History Archive is a saxophone that was owned by the renowned Jazz musician Al Sears.

“Playing Like A Man”: The Struggle Of Black Women In Jazz And The Feminist Movement, Katherine Soules

B.A. in Music Senior Capstone Projects

Ella Fitzgerald and Mary Lou Williams are two names that are firmly associated with the jazz idiom. This paper details the lives of these two women and their struggles with both race and gender throughout their careers. As the women moved through the jazz scene, they experienced prejudice not just for their race, but for their gender as well. In this paper I show the way the women addressed these issues and how they subverted the tensions, most likely subconsciously without their knowledge. When I first began the research project I expected to find an inextricable link between the jazz …

The Wdr Big Band: A Brief History, Gabriela A. Richmond

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

The years following World War II brought new broadcasting stations to a divided Germany, government regulated radio stations in the East and state regulated stations in the West. Radio broadcasts were a significant cultural source for the Germans in times of reconstruction. Broadcasting stations played much of the familiar Tanz- und Unterhaltungsmusik, reminiscent of earlier times of happiness and prosperity. However, with changes in a new generation’s musical tastes the demand for swing bands declined. Radio stations began to rework their in-house “dance bands” into “jazz bands.” The West Deutscher Rundfunk (WDR), and other broadcast stations, employed jazz musicians …

Gatsby And Jazz: One Coin, Two Sides, Sally Van Der Graaff

2011 Awards for Excellence in Student Research & Creative Activity - Documents

F. Scott Fitzgerald's The Great Gatsby and Toni Morrison's JAZZ both tell the story of the American 1920s, but from opposite points of view. Fitzgerald and Morrison offer two compelling narratives of the societal shift that took place in post-World War 1-era America, but although the accounts share the same general topic and historical era, it is otherwise difficult to reconcile the two American portraits that have been painted. It is as though the two authors are giving a description of the same coin, but one describes the front and the other describes the back. To the white population this …

Marshall University Department Of Music Presents A Senior Recital Andrew Winter, Andrew Winter

All Performances

No abstract provided.

Using Clare Fischer's Solo Piano Approach In Yesterdays To Reinterpret Jazz Standard Repertoire, Christopher N. Foster

Theses : Honours

Clare Fischer’s solo piano version of the Jerome Kern composition Yesterdays from his 1975 recorded album ‘Alone Together’, is not extensively known. It proves, however, to be an inherently paramount source for the study of harmony, rhythm, texture and solo jazz piano style. This paper defines the techniques used in this performance. Through a comprehensive transcription analysis, key aspects of Fischer’s solo piano style are discovered. This research extracts the defining aspects of this specific performance‐ then directly applies the musical techniques to show how they may be used to reinterpret and jazz standard. The current Fischer literature focuses primarily …

Subtle Shifts: Using The Brightest To Darkest Modal Concept To Express Jazz Harmony, John Anthony Madere

LSU Doctoral Dissertations

In this paper, I will outline a method of composition that I believe has been highly under-used in jazz composition. I have studied the work of composers Ron Miller and Maria Schneider, and have used their concept of brighter to darker modes to further my modal exploration. With explanation and musical examples, I will explain two possible ways to achieve 12 modes that progress from bright to dark, and then from dark back to bright. Another purpose of this paper is to provide a compositional aid to other composers interested in this concept and the subtle shades of major and …