Arts and Humanities Commons^™

Dawn Of A Silver Millennium: Millenarianism, Futurity, And Utopia In Pretty Guardian Sailor Moon, Matthew Dentice

Far West Popular Culture Association Annual Conference

The story of Sailor Moon, told and retold in countless forms in the thirty years since the original manga’s publication, is imbued with a cosmic sense of time. The modern-day protagonists’ personal journeys are tightly interwoven with the distant past of the Silver Millennium and the far future of thirtieth-century Crystal Tokyo. But only the manga is fully willing to grapple with what the future means for its own present moment. Written in the early 1990s during Japan's "Lost Decade," Pretty Guardian Sailor Moon dramatizes the angst that accompanies the imminent arrival of a new millennium. As the Sailor Guardians …

The Imagined Histories And Futures Of The Past: Wwi And The Cultural Imagination, Kelly Aliano

Far West Popular Culture Association Annual Conference

In this paper, I look at various modes of imagining the futures incarnated by the First World War, beginning with artists and writers, like Ernst Ludwig Kirchner and Erich Maria Remarque, who experienced and depicted the war from a firsthand point of view. From here, I expand that framework to include J.R.R. Tolkien, whose masterpiece Lord of the Rings may owe no small debt to his wartime experiences. I consider the Doctor Who episodes, “Human Nature” and “Family of Blood,” as contemporary attempts to reinsert WWI into the cultural consciousness. Finally, I look at the two versions of War Horse …

Super Apocalypto 64: Inhabiting Revelation As A Video Game Made Of Sacred Words, Greg Jones

Far West Popular Culture Association Annual Conference

The book of Revelation makes the living and life-giving reality of Scripture known to audiences via the vision articulated by John. He conveys this divine reality through words – both read and heard – which call for more than the passive reception of a static text. Rather, Revelation is also participatory; its words are meant to be read, heard and kept in the life of faith. How can one articulate this dynamic interactivity with accessible terms that render divine reality as recognizable in everyday life and highly-qualified language which makes it clear that divine reality is never comprehended in …

Peripheral Storytelling: Cinematic Structures And Audience Agency, Carlos Tkacz

Far West Popular Culture Association Annual Conference

A cultural phenomenon we are all unfortunately familiar with is terrible movies. By terrible movies I mean the kind that lack any semblance of structure, movies in which the characters are flatly drawn, the storylines are predictable, and the writing is especially bad. More specifically, I am interested in why these movies seem to be breeding without end and are no longer relegated to (maybe they never were) the low budget genre films some of us love to hate. I am talking here about the relatively new phenomena of the high-budget, popular-yet-terrible film.

Specifically, I am interested in applying Structuralism, …

Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey

Far West Popular Culture Association Annual Conference

Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role …

Into The Woods: Freedom And The Forest In The Hunger Games, Robert B. Hackey

Far West Popular Culture Association Annual Conference

Forests are contested terrains in literature. The woods are a bucolic setting far removed from the hectic, bustling world of the city or the grueling challenges of industrial life. At the same time, however, the forest challenges us – in the woods, we must take stock of ourselves, overcome unfamiliar obstacles, and face our fears. The forested settings of the Hunger Games – both natural and manmade – force tributes to wrestle with the nature of human freedom. Drawing upon political theorists from Thomas Hobbes to Isaiah Berlin, my paper also explores how tributes face a choice between positive and …

“A Meaningless Institution”: Allen Ginsberg And The Struggle To Resist Dehumanization, James Altman

Far West Popular Culture Association Annual Conference

This presentation details how in poems such as “A Meaningless Institution,” “Howl,” and “American Change” Allen Ginsberg depicts individuals striving as best they can to maintain their freedom, especially freedom of thought in the face of lockstep conformity. In doing so, they seek to hang onto and reassert their humanity. In virtually every line, Ginsberg’s ideas about free speech, democracy, patriotism, inclusiveness, the environment, and community collided with the dehumanizing ideals of mainstream Cold War America. Ginsberg’s reverence for the United States as celebrated by his artistic “father” Walt Whitman functions as the catalyst for him to protest what the …

Where Epistemology And Metaphysics Touch In Lois Lowry's The Giver, Seth Vannatta

Far West Popular Culture Association Annual Conference

In Lois Lowry’s dystopian young adult novel, The Giver, the veil of perception— the gap between appearance and reality— is woven into the community as a policy measure meant to establish Sameness—the effort to insure a world without conflict, inequality, difference, pain, or freedom of choice. But a question lingers in the premise of the novel’s community. Given that our options for bridging the gap amount to building a bridge of experience across it or digging a tunnel of existence under it, has the bridge been sabotaged to render perception spurious, or has the tunnel been blocked to alter reality …

Black Culture And Community In Good Times, Angela Nelson

Far West Popular Culture Association Annual Conference

The situation comedy Good Times broadcast on the CBS network from February 8, 1974 to August 1, 1979, is a television milestone because it was the first series to feature a recurring, intact Black two-parent nuclear family, the Evanses, on American primetime television. In the conventions of seventies “TV World,” the “intact Black nuclear family” is a married, heterosexual, two-parent African American family with children all living in a single dwelling at the same time. David Marc in Demographic Vistas notes the focus of American situation comedies up to 1974: “The sitcom is a representational form, and its subject is …

A Semiotic Analysis Of Community’S “Advanced Dungeons And Dragons”, Marci Mazzarotto

Far West Popular Culture Association Annual Conference

Unsurprisingly, the use of blackface rightfully remains a controversial topic situated within a remarkedly large sphere of popular culture (spanning nearly 200 years), as its roots stem directly from the systematic oppression of the African American community by silencing their voices and deleting their visibility. Such depictions turned people of color into grotesque and exaggerated caricatures that cemented deeply hurtful, incorrect, and negative stereotypes that continue to live and haunt our society and culture today.

This project addresses the controversial use of blackface in popular media, by briefly contextualizing its history and influence and then situating such context within a …

"Of Backstories And Epiphanies And Such: A Formalist's Analysis Of Dallas Jenkins' Youtube Series 'The Chosen.'", Richard Logsdon

Far West Popular Culture Association Annual Conference

Of Backstories and Epiphanies: A formalist’s analysis of Dallas Jenkin’s The Chosen

In this essay, I attempt a formalist’s analysis of YouTube sensation The Chosen, so far a two part, sixteen-episode series about Jesus. In taking a formalist’s approach to this series, I seek the unifying principle holding the episodes of The Chosen together and determining the selection and arrangement of parts.

Presented from perspective of Jesus’ followers, the series' episodes make use of backstories and epiphanies to convey the unifying message that Jesus Christ was God and man. Those who experiences the epiphanies, often occurring in backstories intended to …

When First We Practice To Deceive: The Semiotics Of The Chinese Tv Drama The First Half Of My Life, William M. Kirtley

Far West Popular Culture Association Annual Conference

Abstract

In the darkest days of the pandemic, an online streaming service offered escape in the form of a 42-episode Chinese dramatic TV series, The First Half of My Life (2017).

This paper provides a history of semiotic thought followed by an analysis of a woman’s professional life in the Peoples Republic of China. It uses, Canadian Sociologist Irving Goffman’s concept of dramaturgy and Austrian social psychologist Fritz Heider’s balance theory. This popular series is the story of the paradigmatic transformation of its female heroine, Luo Zijun, from dependent housewife to independent businessperson. Her ex-husband declares, “I never imagined …

A Visual Exploration Of Bias In Covid-19 Coverage, Elizabeth Zak

Far West Popular Culture Association Annual Conference

During the Covid-19 pandemic, news outlets used information visualizations to convey noteworthy data about different facets of the crisis in a short period of time. Despite claims of neutrality, an information visualization also conveys bias. Exploring bias in visualizations allows us to understand the bias that some news outlets hold. I chose to explore how news outlets conveyed political bias in a visualization. In this study, using the AllSides scale, I first identified ten news outlets of varying political bias. I then collected five Covid-19 visualizations from each news outlet. I analyzed each visualization’s use of information visualization techniques and …

Adoption Communication In The Media, Samantha Schaffer

Far West Popular Culture Association Annual Conference

Adoption communication is a vital part of developing healthy family relationships in families formed through adoption. The media has recently begun depicting more of the difficulties that adoptees experience. Three key television shows are Charmed, A Million Little Things, and This Is Us, which depict communication about adoption. These television shows offer the opportunity to analyze master narratives, family communication patterns, and information regulation through popular culture. By illustrating the difficulties experienced by adoptees, these shows provide adoptive families with the occasion to begin difficult yet necessary conversations. These television shows not only exemplify adoption communication they also …

Delicacy Of Taste And Passion In The Use Of Mobile Phone Social Trading Apps, Christopher M. Innes

Far West Popular Culture Association Annual Conference

No abstract provided.

West Texas Ghost Story, Clayton Bradshaw

Far West Popular Culture Association Annual Conference

"West Texas Ghost Story" explores the negative impacts of capitalism and patriarchal society on the well-being of individuals and the ability of families to remain intact under duress of such oppressive regimes. It follows the story of a young man growing up around the oil fields of West Texas in the 1990s as his father begins to hollow out and become a ghostly figure. The young man turns to art as a therapeutic outlet for this loss, eventually making his way to Marfa. The ghost story in question becomes one of metaphorical and perceived experience for the young man.