Arts and Humanities Commons^™

"Insolent And Contemptuous Carriages": Re-Conceptualizing Illegitimacy In Colonial British America, John Watkins

USF Tampa Graduate Theses and Dissertations

This Master's thesis investigates one particular aspect of sexuality in colonial Anglo America--the products of non-marital intercourse. Earlier historical research emphasized the importance of economic considerations in the creation of bastardy laws and the prosecution and punishment for violators of these statutes. Undoubtedly, financial anxieties were a major concern in out-of-wedlock births, but they were only one concern of many. Class, race, and gender dynamics were prominent in colonists' conceptualization of illegitimacy and largely defined who was at risk for having an "insolent and contemptuous carriage" and the resulting punishment for the debauched act. Elite, white officials made women, servants, …

The Bases Of Opposition To Affirmative Action: An Attitude Change Effort, Meisha-Ann Martin

USF Tampa Graduate Theses and Dissertations

The present study examined the effects of perceptions of fairness, prejudice and collective self-interest on the affirmative action attitudes of 85 White undergraduate students. Participants were classified as non-racists, modern racists or old-fashioned racists based on their scores on the Implicit Association Test and Attitudes Toward Blacks scale. In the first phase of the study, participants read affirmative action information preceded by either high or low attention instructions. In the second phase, fairness, status of position and race of the target of an affirmative action plan were manipulated using vignettes. No significant differences were found in the first phase of …

Pipe Dreams And Primitivism: Eugene O'Neill And The Rhetoric Of Ethnicity, Donald P. Gagnon

USF Tampa Graduate Theses and Dissertations

Eugene O'Neill included within his vision of humanity a series of complex, emotionally and psychologically developed black characters. Despite critical controversy over his methods or effectiveness, from his eerily silent mulatto in "Thirst" through the grandiose incarnation of The Emperor Jones and the everyman of Joe Mott and The Iceman Cometh, O'Neill created characters of African descent that thrilled and infuriated critics and audiences alike.

A closer exploration of the issues involved in his portrayal of ethnically identified characters seems necessary, an exploration that does not limit itself to an interrogation of ethnicity per se in O'Neill's plays, but …