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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Southern African Women’S Struggle To Both Uphold Tradition And Promote Women’S Equality In The Family, Sophia Bierly
Southern African Women’S Struggle To Both Uphold Tradition And Promote Women’S Equality In The Family, Sophia Bierly
Copley Library Undergraduate Research Awards
A woman in modern Limpopo, South Africa explained traditional marital expectations by re-telling what her aunt once said to her: “Lady, you must know that this man is your head, you are the neck. Whatever he is telling you, or whatever he is saying, that’s the word, he’s the head, you don’t have to challenge him”.1 This quote shows that unequal familial structures pervade Southern Africa. The traditional structure of marriage in Southern Africa empowers mothers while disparaging wives, consequently minimizing young women’s economic opportunities, while preserving older women’s economic security. Traditional Southern African marital customs have significant influence over …
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax
Urban Contacts: Orientalist Urban Planning And Le Corbusier In French Colonial Algiers, Delaney Tax
Copley Library Undergraduate Research Awards
Algiers, the first French colony in Africa, was conquered in 1830 and gained independence in 1962. During this period, Algiers was constructed into an Orientalist acting ground that was shaped through political, social, economic formations in the built environment. The French colonial fascination with Algiers centered around the casbah, and thus the casbah became a laboratory for ethnographic and urban reflections. The French process of urban planning included military intervention, preservation motivated by exoticism and museology, and superstructure master plans dictated by the present benefit of indigenous communities to the colonial regime. Le Corbusier’s contact with Algiers further expresses the …
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
"Torture The Women": A Gaze At The Misogynistic Machinery Of Scary Cinema, Sarah Hankins
Copley Library Undergraduate Research Awards
A frightening truth remains that within horror-thriller films the experience of women is at the heart of the horrifying. This project analyses the effects of film media on the construction, fetishization, and destruction of female figures and engages with feminist critical concepts, such as Laura Mulvey’s “male gaze” and Linda Williams’ “body horror,” to evaluate Alfred Hitchcock’s film Vertigo (1958) and Satoshi Kon’s anime Perfect Blue (1997). Importantly, this essay critiques the misogynistic inner-workings of the horror-thriller genre typified in Vertigo—that evokes visual pleasure from objectification, victimization, and physical, often sexual, violence—and contrasts it with Kon’s anime. This paper finds …
Bridging Worlds: Buddhist Women's Voices Across Generations, Karma Lekshe Tsomo Phd
Bridging Worlds: Buddhist Women's Voices Across Generations, Karma Lekshe Tsomo Phd
Theology and Religious Studies: Faculty Scholarship
Since 1987, Sakyadhita has worked to remind the Buddhist women of the world of their potential to correct social problems and create a world of peace and happiness for all living beings. We strongly believe in the value of awakening the world's 300 million Buddhist women to work for peace and social justice. Our work has been focused in Asia, especially among the poorest women. Sakyadhita's working principle has been to assist those in greatest need: women and children. We are convinced that educating women in disadvantaged segments of Buddhist society will act as a powerful catalyst for long lasting …