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Full-Text Articles in Arts and Humanities
Review Of Only One Place Of Redress: African Americans, Labor Regulations, And The Courts From Reconstruction To The New Deal, Brian D. Behnken
Review Of Only One Place Of Redress: African Americans, Labor Regulations, And The Courts From Reconstruction To The New Deal, Brian D. Behnken
Brian D. Behnken
In Only One Place of Redress, David Bernstein contends that between 1890 and 1937 American courts aided black workers in labor disputes. The court did this by upholding the freedom of contract doctrine enshrined in Lochner v. New York, the 1905 case that invalidated legislation limiting the hours a baker could work. "Lochnerism" or "Lochnerian jurisprudence," as Bernstein calls it, benefited blacks by voiding discriminatory labor laws, and he illuminates how these labor regulations harmed African Americans. "The Supreme Court," he writes, "was relatively sympathetic to plaintiffs who challenged government regulations, especially occupational regulations, as violations of the implicit constitutional …
Review Of A Stone Of Hope: Prophetic Religion And The Death Of Jim Crow By David L. Chappell, Brian D. Behnken
Review Of A Stone Of Hope: Prophetic Religion And The Death Of Jim Crow By David L. Chappell, Brian D. Behnken
Brian D. Behnken
In this provocative new book, David Chappell examines the role of religion and religious thought in the Civil Rights movement. By focusing on the intellectual and religious underpinnings of both the activists and their segregationist rivals, he makes a persuasive argument that the struggle should best be understood as a prophetic religious movement, rather than as a social movement or as the triumph of a liberal consensus. Scrutinizing religion allows Chappell to shift the historiographical debate away from protests and violence to the role of ideas, principles, and faith.
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Going Back To The Old Mainstream: No Depression, Robbie Fulks, And Alt. Country's Muddied Waters, Barbara Ching
Barbara Ching
In 1972, when Doctor Hook and the Medicine Show sang "The Cover of the Rolling Stone," they cast rock critics as arbiters of stardom. By the time Cameron Crowe used th is song in his 2000 film Almost Famous, it held little irony. Sex and drugs were good but they just couldn't compare to joining the magazine's anointed. Currently, some alternative country aspirant could sing the same tune about No Depression. The magazine, now in its eighth year, invariably uses its cover to showcase an alt.country artist. It has sponsored alt.country package tours (in which the editors indulge the fan's …