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Full-Text Articles in Arts and Humanities
The Author And Apartheid: Building Pro-Blackness At Bgsu Through James Baldwin And The Anti-Apartheid Movement, Noah C. Fitch
The Author And Apartheid: Building Pro-Blackness At Bgsu Through James Baldwin And The Anti-Apartheid Movement, Noah C. Fitch
Honors Projects
The stories of anti-apartheid and James Baldwin at BGSU provides a basis for a building of pro-Blackness in the on-campus community. Through the contextualization and narrative building through a historical sociological framework, these two events show the extent of activism in the 1970s and 1980s rather than the traditional narrative that is discussed. By expanding that narrative, it also expands the narrative surrounding the history not just of BGSU, but the way universities frame their own histories. Additionally, these events take place in the era when the transition from looking at Civil Rights to Human Rights is more prevalent and …
Mental Health In M*A*S*H: An Analysis Of The Changing Portrayal Of Mental Health Topics In The 1970s And Early 1980s, Lyndsey Clark
Mental Health In M*A*S*H: An Analysis Of The Changing Portrayal Of Mental Health Topics In The 1970s And Early 1980s, Lyndsey Clark
Student Research Submissions
This paper studies all eleven seasons of the hit television show M*A*S*H (1972-1973) and examines how the portrayal of mental health changed in the show’s plotlines in response to changing guidelines and mental health policy in the 1970s and early 1980s. This study focuses on the association of mental illness with homosexuality, the changes made to the American Psychological Association’s Diagnostic and Statistical Manual of Mental Disorders (DSM) in the 1970s and early 1980s, the rise and fall of mental health policies from the Kennedy Administration to the Reagan Administration, and the portrayal of several pertinent mental conditions, such as …
Motown Movie Magic: Respectability, Gender, And Authenticity In Crossover Films, 1972-1989, Nicholas Andrew Ambs
Motown Movie Magic: Respectability, Gender, And Authenticity In Crossover Films, 1972-1989, Nicholas Andrew Ambs
Graduate Student Theses, Dissertations, & Professional Papers
At the start of the 1970s, Berry Gordy, Jr., moved Motown Industries to Los Angeles to expand into the film and television industries. Just as in the music industry, Gordy utilized respectability politics to navigate a segregated market to appeal to a wider audience. As rhetoric around notions of respectability changed perspectives on the Black experience, Gordy’s business practices represented a traditional tactic for uplift ideology that he sought to demonstrate in his film. In the context of national changes and industrial trends, Gordy balanced building credibility, establishing a profitable studio, and creating a positive image throughout the 70s and …
Desperate Democrats In The Reagan Revolution: A Party Determined To Win The White House, Matthew Maxwell Akins
Desperate Democrats In The Reagan Revolution: A Party Determined To Win The White House, Matthew Maxwell Akins
Senior Independent Study Theses
Bill Clinton’s 1992 election to the presidency as a Democrat ended a series of defeats for that party on the presidential level. Clinton may have won the White House, but he did not do it alone. In the decade before his victory, the “New Democrats” worked to moderate the Democratic Party from within, responding to the presidential losses of 1980, 1984, and 1988. Scholars have explored this topic from many angles, but none have explored it from the perspective of these “New Democrats” in a way that traces their story from Al From and Gillis Long to the DLC and …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …