Arts and Humanities Commons^™

Finding Meaning In The Flag: Rebel Flag, Olivia Ortman

The Gettysburg Compiler: On the Front Lines of History

I’m sure that as fans of history, at some point in your pursuit of knowledge, you have either read or heard the phrase “language is key”. This is something my professors have harped on, class after class, explaining that the way we talk about things shapes the way they are viewed. This lesson holds true for the Union perspective of the Confederate flag during the war. In all the documents written by Northerners that I looked over for this post, I did not come across a single mention of the “Confederate flag.” This was because the flag was pretty consistently, …

Gettysburg's New Dawn, 1864, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few days of January are usually crisp and cold in Gettysburg. Sometimes there is frost or snow, sometimes not. Sometimes there is a bitter wind, sometimes not. Sometimes there is sun bleeding across the horizon and splashing a cloudless sky, sometimes there is not. But the new year here, like everywhere else, stands as a symbol of promise and hope for the future. [excerpt]

Choice Poetry: Valiant Manhood's Flinch, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Throughout the war, the front page of Gettysburg's newspapers, regardless of your political stripe, had an evergreen column. Poetry graced the upper left corner each week. Sometimes raucous, often love-lorn, chiefly patriotic, the poems must have buoyed many a Pennsylvanian spirit as America floundered in the depth of Civil War.

Most of the poems were mainstream schmaltz, passed from paper to paper as each editor read a line or two he liked and thought his readers might appreciate. The poems spread like a particularly odd malignant cancer from organ to organ. [excerpt]

An Apology For Confederate Poetry, Elizabeth J. Elliott '13

The Gettysburg College Journal of the Civil War Era

This paper explores the reasons why poetry written in the Confederate states during the Civil War is rarely included in the American literary canon. Historians and literary critics have dismissed Confederate poetry as nothing more than jingoistic and sentimental "trash in rhyme." Nevertheless, poems buried in the mountains of Southern literary magazines and journals from the period tell a more nuanced story. Covering a wide and fascinating range of subjects, both good and bad Confederate poems aptly reflected how the Southern popular mind reacted to and dealt with the events of the war.