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Theatre and Performance Studies

2013

Gender roles

Articles 1 - 4 of 4

Full-Text Articles in Arts and Humanities

Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner Jul 2013

Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner

Faculty Publications

In the last of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner explores how expanding the range of the titular Shrew to include male characters is actually a return to its original meaning. Pollack-Pelzner focuses on a long-forgotten Renaissance sequel to Shrew (John Fletcher's The Tamer Tamed) that takes the taming of men even further and turns its gender roles upside down.


Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner Jul 2013

Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner

Faculty Publications

In the second of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner argues that Shakespeare’s play raises challenging questions about the way we define gender roles, and the answers aren’t as obvious as they might seem.


Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner Jul 2013

Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner

Faculty Publications

In the first of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner introduces two high-concept professional productions of the play — one in Ashland, Oregon at the Oregon Shakespeare Festival, and one in Portland, Oregon at the Portland Shakespeare Project.


Fem And Funny: Three Women Who Changed The Face Of Stand-Up Comedy, Rachel Eliza Blackburn Apr 2013

Fem And Funny: Three Women Who Changed The Face Of Stand-Up Comedy, Rachel Eliza Blackburn

Theses and Dissertations

Phyllis Diller, Joan Rivers, and Lisa Lampanelli as performers demonstrate an arc of evolving female empowerment in the world of stand-up comedy. In this thesis I shall study the development of each woman’s career by examining her material, progression of her comic persona, and relationship to women’s gender roles, both personally and professionally. While there are many other female comics who contribute to the story of women’s stand-up comedy in the contemporary period (in particular, Moms Mabley and Elayne Boosler), Diller, Rivers and Lampanelli each represent a distinct shift in how their persona combined with subject matter, allowing women to …