Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Publication
- Publication Type
Articles 1 - 13 of 13
Full-Text Articles in Arts and Humanities
Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner
Summer Of Shrew, Part 4: Which End’S Up?, Daniel Pollack-Pelzner
Faculty Publications
In the last of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner explores how expanding the range of the titular Shrew to include male characters is actually a return to its original meaning. Pollack-Pelzner focuses on a long-forgotten Renaissance sequel to Shrew (John Fletcher's The Tamer Tamed) that takes the taming of men even further and turns its gender roles upside down.
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Summer Of Shrew, Part 2: Tamed? Really?, Daniel Pollack-Pelzner
Faculty Publications
In the second of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner argues that Shakespeare’s play raises challenging questions about the way we define gender roles, and the answers aren’t as obvious as they might seem.
Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner
Summer Of Shrew, Part 1: A Tale Of Two Cities, Daniel Pollack-Pelzner
Faculty Publications
In the first of a four-part series on Shakespeare's The Taming of the Shrew, Daniel Pollack-Pelzner introduces two high-concept professional productions of the play — one in Ashland, Oregon at the Oregon Shakespeare Festival, and one in Portland, Oregon at the Portland Shakespeare Project.
She’S Forever Present, Marina Abramović: An Artist, An Innovator, And The Grandmother Of Performance Art, Jessica Volmer
She’S Forever Present, Marina Abramović: An Artist, An Innovator, And The Grandmother Of Performance Art, Jessica Volmer
Communication Studies
No abstract provided.
Collecting Women: Poetry And Lives, 1700-1780 By Chantel M. Lavoie, Holly Faith Nelson
Collecting Women: Poetry And Lives, 1700-1780 By Chantel M. Lavoie, Holly Faith Nelson
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Hearing Eighteenth-Century Occasional Poetry By And About Women: Swift And Barbauld, Elizabeth Kraft
Hearing Eighteenth-Century Occasional Poetry By And About Women: Swift And Barbauld, Elizabeth Kraft
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz
Women’S Literacy In Early Modern Spain And The New World, Ed. By Anne J. Cruz And Rosilie Hernández, Kirsten Schultz
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Inviting Twenty-First Century Students To The Eighteenth-Century Party, Kathryn Strong Hansen
Inviting Twenty-First Century Students To The Eighteenth-Century Party, Kathryn Strong Hansen
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article describes a classroom activity that increases students’ connection to literary characters, and by extension, texts. The activity, constructed as a party attended by literary characters, tasks students with taking on the point of view of one character in an assigned novel. This can encourage a student to see the viewpoint of a character that differs from him or her in gender, social status, or any other category of difference. In heightening students’ relationship to eighteenth-century characters, I argue, instructors can bring the eighteenth century closer to contemporary students as well as increase students’ sensitivity to viewpoints that differ …
Populism, Gender, And Sympathy In The Romantic Novel, By James P. Carson, Elizabeth J. Mathews
Populism, Gender, And Sympathy In The Romantic Novel, By James P. Carson, Elizabeth J. Mathews
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Intersectionality Of Race, Gender, And Class In The ‘Hard Times: Women Scholars And The Dynamics Of Economic Recession', Christine Clark-Evans
Intersectionality Of Race, Gender, And Class In The ‘Hard Times: Women Scholars And The Dynamics Of Economic Recession', Christine Clark-Evans
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
The Changed And Unchanged Situation In The Representation Of Women In Contemporary Cinema, Arif Rohman
The Changed And Unchanged Situation In The Representation Of Women In Contemporary Cinema, Arif Rohman
Arif Rohman
The second feminist wave in the 1960s has influenced feminists to increase their campaign against patriarchy in almost all areas. One of the areas which has made women very vulnerable is the issue of women in cinema. This article analysed some changes in the representation of women in cinema by comparing four movies: Stepford Wifes (1975), Orlando (1992), When Night Is Falling (1995), and Stepford Wives (2004). This study was conducted by using modern hermeneutics method. From the analysis, these four films appear to contain three changed aspects regarding women, including the equality of work, the expression of sexual identity, …
The Feminine Peter Pan, Felicia Jones
The Feminine Peter Pan, Felicia Jones
AWE (A Woman’s Experience)
Cross-casting in performances has effected outrage and social dilemmas in audiences, despite the important cultural messages those characters display. Since its beginning as a play, women have been cast as the young boy Peter in Peter Pan. J.M. Barrie wrote Peter Pan through inspiration from the young deaths of his brother and childhood friend, who will always remain in their youth. In order to capture that youthful innocence, females have been cast as Peter. This choice in casting was also made to achieve androgyny and transcend gender by blurring gender lines.
Acting, Integrity, And Gender In Coriolanus, Kent Lehnhof
Acting, Integrity, And Gender In Coriolanus, Kent Lehnhof
English Faculty Articles and Research
Shakespeare's Coriolanus... anticipates and corroborates modern-day analyses emphasizing the sociopolitical dimensions and determinants of antitheatrical discourse. In the present essay, I would like to shift my focus from questions of class/status to questions of sex/gender, endeavoring to trace the links between Coriolanus’s antiperformative zeal and his ultra-masculine identity. For though it is true that Coriolanus opposes the dissimulation of others on political grounds (i.e., it creates social confusion), what causes him to reject play-acting in his own person is the sexualized fear that it will unman him (i.e., turn him into a squeaking virgin or crying boy). In this manner, …