Arts and Humanities Commons^™

Ana Goutman: Estudios Para Una Semiótica Del Espectáculo, Cesar Valverde

Cesar Valverde

Miss Margarida's Way, Zephyr Theater, Hollywood, Ca, Susan Gratch

Susan Gratch

No abstract provided.

Fools And Folly, Edam Monograph Series 22, Clifford Davidson

Clifford Davidson

The Fool in the Middle Ages and Early Modern period was either a person who capitalized on his natural deficiencies, which were then considered amusing, or a professional entertainer the artificial Fool who specialized in clowning. His distinctive clothing and bauble are known to us through numerous Psalter illustrations where he is shown in connection with Psalm 52, which asserts that The fool has said in his heart there is no God. Attitudes toward the Fool varied, but his place was to become assured on stage, where his role is best known to us through the plays of Shakespeare. The …

Saints In Play: English Theater And Saints’ Lives, Clifford Davidson

Clifford Davidson

Heartbreak House, The Colony Theatre, Burbank, Ca, Susan Gratch

Susan Gratch

No abstract provided.

Morning's At Seven, Colony Theatre, Burbank, Ca, Susan Gratch

Susan Gratch

No abstract provided.

Dada Dek'ko, Darrell Jones, Fiona Millward

Darrell Jones

Collaboration with Fiona Millward. Venues: The Place Theatre, London, UK; The Dia Center, New York City

The History Of King Lear And The Problem Of Belief, Clifford Davidson

Clifford Davidson

Thomas Cranmer And The Vision Of Historical Drama, Clifford Davidson

Clifford Davidson

Reversed Heroism And Heroic Perversion In Euripides' Medea, Katerina Zacharia

Katerina Zacharia

No abstract provided.