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Theatre and Performance Studies

Virginia Commonwealth University

2010

Drama

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Full-Text Articles in Arts and Humanities

A Midsummer Night's Dream On The Radio: Technology In Voice And Speech, David Becker Aug 2010

A Midsummer Night's Dream On The Radio: Technology In Voice And Speech, David Becker

Theses and Dissertations

Recent advances in sound technology have had significant implications for the teaching of voice and speech that are only now becoming apparent. As more students become “plugged in” it becomes more difficult, both for the instructor and the student, to communicate, let alone find a voice. We are becoming increasingly addicted to communicating through our devices, rather than through the traditional and accepted modes of the past: using the human voice. In light of these rapid and various new developments, voice training, especially at the introductory level, needs to be examined anew. A number of traditional approaches and teaching methods …


Giving Voice To The Hero Within: The Combination Of Two Methodologies For Training The Actor/Performer-- The Use Of Ritual Poetic Drama Within The African Continuum And Archetypes For The Actor/Singer As Explored In The Performances Of A Thousand Faces: Every Day Heroes A Deconstruction Of The Hero With A Thousand Faces By Joseph Campbell, Olisa-Mequella F. Enrico-Johnson May 2010

Giving Voice To The Hero Within: The Combination Of Two Methodologies For Training The Actor/Performer-- The Use Of Ritual Poetic Drama Within The African Continuum And Archetypes For The Actor/Singer As Explored In The Performances Of A Thousand Faces: Every Day Heroes A Deconstruction Of The Hero With A Thousand Faces By Joseph Campbell, Olisa-Mequella F. Enrico-Johnson

Theses and Dissertations

Joseph Campbell tells us that if you look closely at all cultures you find the story of “The Hero's Journey”, the vehicle for my thesis project, a devised theatre piece titled A Thousand Faces: Everyday Heroes. Though the subject of A Thousand Faces is the exploration of “The Hero's Journey” the foundation of the work is the application of the pedagogical principles of Ritual Poetic Drama Within the African Continuum (RPDWAC) as outlined in the practices of my mentor Dr. Tawnya Pettiford-Wates, Assistant Professor of Performance at Virginia Commonwealth University Theatre (VCU). I apply RPDWAC pedagogical principles to Archetypes for …