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Full-Text Articles in Arts and Humanities

Hamilton, Democracy, And Theatre In America, Patricia Herrera May 2016

Hamilton, Democracy, And Theatre In America, Patricia Herrera

Theatre and Dance Faculty Publications

I, along with University of Richmond professors Lázaro Lima and Laura Browder, received an National Endowment for the Humanities and the American Library Association Latino Americans grant this year to organize the Latinos in Richmond program, which coincided with two classes that we taught this spring: the Tocqueville Seminar “Performing Latino USA: Democracy, Demography, and Equality” and the First-Year Seminar “Telling Richmond’s Latino Stories: A Community Documentary Project.” Since the goal of both courses was to explore how Latinos—the nation’s largest “minority” group in a representative democracy like America­—is also the most underrepresented, I was interested in understanding Hamilton through …


L'Aventura Nord-Americana De «Maria Rosa» De Guimerà, Sharon G. Feldman Jan 2016

L'Aventura Nord-Americana De «Maria Rosa» De Guimerà, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En l'època actual, en la qual l'èxit teatral s'acostuma a mesurar en funció del reconeixement internacional, molts dramaturgs contemporanis han somniat en un muntatge a Nova York o, fins i tot, en un triomf a Hollywood. Potser els sorprendria saber que fa aproximadament cent anys Àngel Guimerà, sens dubte el dramaturg català més prominent del seu temps, ja havia acomplert aquest somni gairebé impossible quan dues de les seves obres teatrals més famoses, Maria Rosa (1894) i Terra baixa (1896), es van estrenar en versió anglesa sota els focus de Broadway. De fet, entre els anys 1903 i 1914, les …


Ponts Théâtraux Et Transferts Temporels: Théâtre Du Xixe Siècle Pour Le Xxie Siècle (Catalogne), Sharon G. Feldman Jan 2016

Ponts Théâtraux Et Transferts Temporels: Théâtre Du Xixe Siècle Pour Le Xxie Siècle (Catalogne), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En 1992, Richard Schechner, metteur en scène et théoricien nord-américain, faisait dans les pages de la revue TDR (The Drama Review) une observation qui fut jugée scandaleuse, en déclarant : « [T]heater as we have known and practiced it —the staging of written dramas— will be the string quartet of the 21st century: a beloved but extremely limited genre, a subdivision of performance » (Schechner 1992, 8). Six ans plus tard, en 1998, encore étourdi par la fameuse affirmation (la condamnation plutôt) de Schechner, le théoricien et critique nord-américain W. B. Worthen attirait l’attention sur ce qu’il considérait un …


The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio Jan 2016

The Filial Dagger: The Case Of Hal And Henry Iv In 1 & 2 Henry Iv And The Famovs Victories, Kristin M.S. Bezio

Jepson School of Leadership Studies articles, book chapters and other publications

English culture and politics in the last decade of the sixteenth century were both patriarchal and patrilineal, in spite of— or, perhaps, in part, because of—the so-called bastard queen sitting on the throne. The prevailing political questions of the day concerned Elizabeth’s successor and the fate of the nation that, so many believed, hung precariously in the balance. Questions of legality, legitimacy, and fitness formed the crux of these debates, but almost all claimants attempted to justify their right by tracing their bloodlines back to either Henry VII or Edward III, the respective patriarchs of the Tudor dynasty and the …


Listening To Afro-Latinidad: The Sonic Archive Of Olú Clemente, Patricia Herrera Jan 2016

Listening To Afro-Latinidad: The Sonic Archive Of Olú Clemente, Patricia Herrera

Theatre and Dance Faculty Publications

For many Puerto Ricans and other Latinos, Roberto Clemente was more than just a baseball star. Above all, he was a symbol of hope and humanitarianism, succeeding despite the overt racial discrimination he encountered as a Black Puerto Rican. Off the field, Clemente was renowned and beloved for his involvement in charity work in Puerto Rico and other Latin American countries. His final humanitarian act came about in 1972 on New Year’s Eve when the plane chartered to deliver aid to earthquake victims in Nicaragua crashed into the ocean off the coast of Isla Verde, Puerto Rico. His sudden and …


The Theater Of Maria Aurèlia Capmany And The Reverberations Of Civil War (History, Censorship, Silence), Sharon G. Feldman Jan 2016

The Theater Of Maria Aurèlia Capmany And The Reverberations Of Civil War (History, Censorship, Silence), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Maria Aurèlia Capmany (1918-1991) was one of the most prominent Catalan writers of the twentieth century, occupying a singular place in the intellectual and cultural life of Catalonia during the period of the Franco dictatorship and the democratic transition. Her theater is aesthetically daring in its integration of an ample range of contemporary dramatic modes, from intellectually complex to more popular forms of spectacle. Epic theater, monologue, documentary theater, historical drama, and "literary cabaret" (a genre of her own invention)~ all make repeated appearances throughout her theatrical trajectory. Moreover, on the whole her work stands as a testament to her …


Maria Rosa, Adaptada Al Cinema Per Cecil B. Demille, Sharon G. Feldman Jan 2016

Maria Rosa, Adaptada Al Cinema Per Cecil B. Demille, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En l'época actual, en la qual l'éxit teatral s'acostuma a mesurar en funció del reconeixement internacional, molts dramaturgs contemporanis han somniat un muntatge a Nova York o, fins i tot, un triomf a Hollywood. Potser els sorprendria saber que fa aproximadament cent anys, Ángel Guimerá, sens dubte el dramaturg catalá més prominent del seu temps, ja havia complert aquest somni gairebé impossible quan dues de les seves obres teatrals més famoses, Maria Rosa (1894) i Terra baixa (1896), es van estrenar en versió anglesa sota els focus de Broadway. De fet, entre els anys 1903 i 1914, les obres de …