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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
"Possessed": The Phenomenology Of Immersive Theatre, Shannon M. Flynn
"Possessed": The Phenomenology Of Immersive Theatre, Shannon M. Flynn
Theatre & Dance ETDs
Using phenomenology as a lens of analysis, I investigate how immersive theatre engages audiences in a more direct and sensory way than traditional theatre. In a proscenium theatre the action is seen from the same angle. The theatre itself becomes a phenomenon in audience’s minds, each performance subtly influencing how the audience perceives the next. I investigate how relationships between audience and performers are altered in immersive experiences with no delineation between the space audience and actors occupy. The phenomenological idea of frontality places immersed audiences in positions where they are able to explore a constantly changing perspective of the …
Seguiriyas Duo ̈Poesía Flamenca ̈, Adriana Maresma Fois
Seguiriyas Duo ̈Poesía Flamenca ̈, Adriana Maresma Fois
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
Baile: Adriana Maresma Fois, Alvise Carbone
Cante: Rocio Soto
Guitarra: Juan Antonio Gómez
Stories From Home: Yvonne Montoya And Shannon Parrales In Conversation, Yvonne Montoya
Stories From Home: Yvonne Montoya And Shannon Parrales In Conversation, Yvonne Montoya
Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest
In this conversation, New Mexican contemporary dance artists Yvonne Montoya and Shannon Parrales discuss their dance journeys and their work on Montoya’s current projects: Stories from Home and Stories from Home: COVID-19 Addendum.
Unfreezing The Flamenca: The Stereotype Of The Sensual Bailaora Through The Lens Of Hollywood Film Noir, Amy Schofield
Unfreezing The Flamenca: The Stereotype Of The Sensual Bailaora Through The Lens Of Hollywood Film Noir, Amy Schofield
Theatre & Dance ETDs
This essay accompanies my Master of Fine Arts thesis project, a dance film entitled Haunted (premiered online March 12, 2021; made in collaboration with Jenny Serrano as Director of Photography), that employs themes and aesthetics from film noir to an exploration of the stereotype of the sensual female flamenco dancer. By combining concepts from dance studies with feminist and postcolonial theories, I trace the legacy of the bailaora (female flamenco dancer) presented as sexualized, Orientalized Other from the nineteenth century to the present day. An overview of film noir and neo-noir bolsters a thorough description and analysis of select scenes …