Arts and Humanities Commons^™

Time, Place, & Purpose: The Performance Of Creole Identity In Louisiana, Rachel N. Aker

LSU Doctoral Dissertations

Though much of the early development of Louisiana Creole culture can be found in New Orleans, the culture spread and continued to grow throughout the rest of South Louisiana in both similar and different ways. Expanding beyond Joseph Roach’s treatment of Creole cultural performances in New Orleans in Cities of the Dead (1996) and journeying across land and water, this project identifies more Creole cultural performance as they emerge across place and time. I present Louisiana and the Gulf South as a kind of inland archipelago, with the currents of culture-creation moving in and around distinct community enclaves. The flow …

Proud Of Your Boy: Toxic Masculinity, Boyhood, And The American Musical, Aaron J. Wood

LSU Doctoral Dissertations

This project traces the cultural historiography of the phrase "boys will be boys" and examines the pattern of white male excusal it embodies through a case-study based survey of onstage depictions of boyhood in musical theatre. I argue that the generational idea of manhood as aggressive, competitive, and violent is continually reasserted through our passive acceptance of white boy violence. This dissertation looks to the musicals Newsies, West Side Story, Heathers, and Dear Evan Hansen as case studies for exploring the cultural lineage of the phrase “boys will be boys.” Like the works of Aaron Thomas, Raymond …

Roleplaying Games And Performance, Benjamin Joseph Munise

LSU Doctoral Dissertations

Roleplaying Games and Performance calls to mind popular appearances of roleplaying games on stage and screen, like Stranger Things or Qui Nguyen’s popular play, She Kills Monsters. However, inquiry into the way roleplaying games appear in these titles reveals the way they have been instrumentalized to serve the ends of their respective mediums. Scholars writing about roleplaying games also tend to leap straight to analyses of video games, with many words spilled over World of Warcraft while a live site of analog performance sits before them. In this work, I address the tabletop roleplaying game as a medium with …

The Abolitionist Spectator: Resistant Readings Of Punishment, Rehabilitation, And Reform At The Louisiana State Penitentiary, Kathryn Marie Morris

LSU Doctoral Dissertations

For the majority of the twenty-first century, Louisiana has been the global leader in rates of incarceration. Despite its prevalence, many people encounter prisons and punishment only through representations in movies, television, and the news, remaining distant from the actual processes of punishment and prisons built in remote areas. The Louisiana State Penitentiary at Angola, however, is unique in the number of opportunities it presents for the public to enter the prison for large-scale events like the famous Angola Prison Rodeo, select drama club performances, or to visit the Angola Prison Museum. These opportunities are often read cynically, as moments …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert

LSU Doctoral Dissertations

This project locates collaboration and collaborative performance as a potential site for artistic growth. This study analyzes six collaborative projects: composed pieces for electric guitar accompanying a staged performance of collaged texts, an audio-visual installation, the preparation of several short pieces to accompany choreographed dances, a 90-minute soundtrack to a performance mixed live, an ongoing improvisational duo, and a live visuals performance to accompany Sunburned Hand of the Man at Duke University. It traces the growth of my artistry while also providing a method for both doing and writing about collaboration. In addition, it offers a model for understanding collaborative …

Asexual Dramaturgies: Reading For Asexuality In The Western Theatrical Canon, Anna Maria Ruffino Broussard

LSU Doctoral Dissertations

Asexuality has recently gained recognition and visibility as a legitimate sexual orientation and identity standpoint that is usually defined as lacking sexual desire for any gender. Popular culture and the academy have both seen the emergence of a robust conversation about the definition and import of asexuality, recognizing the term as an umbrella concept covering an ever-diversifying array of identities. Within the nascent critical discourse on asexuality, theorists have sought to identify asexuality as a sexual orientation, to rethink our society’s sexual normativity, and to question compulsory sexuality, or the assumption that sexual desire is intrinsic to all people, thus …

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Unifying Text And Music: Applying Shurtleff's Twelve Guideposts To Operatic Arias For Soprano, Jamey J. Wright

LSU Doctoral Dissertations

In the present culture of operatic performance, artistry is measured not only by singers’ musical interpretation and vocal technique, but also by their ability to communicate compelling characterization. This monograph explores a helpful technique for dramatic interpretation in opera. The discipline of musical performance provides helpful guides to characterization through elements such phrasing, rhythm, harmony, and instrumentation. Techniques borrowed from the spoken theater, particularly those pioneered by Constantin Stanislavski, include the Magic If, objectives, actions, and tactics. The literature on auditioning for the theater is useful for synthesizing these techniques for singers, because audition techniques emphasize compelling characterization with …

My Favorite Murder As Discursive Performance, Taylor Dawson

LSU Doctoral Dissertations

My Favorite Murder as Discursive Performance uses performance-centered discourse analysis to explore the major narratives informing the popular true crime comedy podcast, My Favorite Murder (MFM). Hosts, Karen and Georgia draw from podcast, comedy, true crime, feminist, and mental health discourse to create a unique discursive space where “murderinos” (fans of the podcast) express and explore aspects of their own life experiences. I explore the performative strategies MFM uses and the effects of those choices, drawing on some of my own experiences as a murderino. Ultimately I argue that a performance lens reveals some of the imperfect but powerful ways …

The Orlando International Fringe Festival: An Historical And Administrative Overview, Brook Akya Hanemann

LSU Doctoral Dissertations

This dissertation marks the first historical and administrative overview of the Orlando International Fringe Festival. The Orlando International Fringe Festival (OIFF) is America's oldest still-operating fringe theatre festival. This two-week performing arts and immersive cultural event features uncensored, unjuried, accessible, and inclusive performances on indoor and outdoor stages. The Festival subverts traditional commercial theatre models by giving 100% of ticket proceeds back to its artists. Originally held in Downtown Orlando, it now resides at the Loch Haven Cultural Complex of Orlando where it overcame struggles common to arts organizations such as the beer truck scenario, a sustainability issue linking an …

The Cryptid Tourist Gaze: Cryptid Tourism And The Performance Of Monster-Hunting, Sara Brooke Christian

LSU Doctoral Dissertations

The Cryptid Tourist Gaze: Cryptid Tourism and the Performance of Monster-Hunting examines different modes of monster-hunting and argues that the ways of hunting for monsters has evolved from major expeditions to cryptid tourism. I devised an original term called the Cryptid Tourist Gaze in order to analyze these different monster-hunting modes. The Cryptid Tourist Gaze is an individual's perspective of and experience with a cryptid monster and reflects how an individual perceives and presents cryptid monsters and cryptid monster experiences.

I suggest that individuals now perform monster-hunting through documentary media consumption, festival attendance, and museum curation and visitation, which are …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …

Baton Rouge Slam!: An Obituary For Summer 2016: A Critical Performance Ethnography Of Eclectic Truth Poetry Slam, Joshua Hamzehee

LSU Doctoral Dissertations

This critical performance ethnography presents the theory, methodology, and practice surrounding the fieldwork, scripting, and performance of Baton Rouge SLAM!: An Obituary for Summer 2016. As participant-observer, director, and co-performer, I unpack social drama, performance ethnography, and slam culture by employing a lens rooted in critical race theory. Local poets permitted me to de- and re-contextualize their interviews into ensemble scenes and theatricalize their slam poems about the recent summer’s charged events. One year later, this involved and embodied process of ethnographic bricolage became the ensemble cast performance of Baton Rouge SLAM!: An Obituary for Summer 2016. Community members and …

Virtual Touch: Embodied Experiences Of (Dis)Embodied Intimacy In Mediatized Performance, Naomi Petrea Bennett

LSU Doctoral Dissertations

In this dissertation, I explore a phenomenon I call virtual touch, in which embodied sensations of touch are felt through non-tactile senses. In the digital age, online interactivity has expanded the ways in which individuals experience connection, intimacy, and touch. Digital media, which have traditionally been thought of as disembodied, nevertheless have the ability to elicit intense feelings of touch. Through analysis of digital and virtual installation art, I examine the ways that non-tactile touch remains rooted in the embodied experience. The works I include in this study create a feeling of virtual touch through a co-functioning of the …

Theater Of The Obsessed, Cynthia Sampson

LSU Doctoral Dissertations

Theater of the Obsessed uses fandom to illustrate how audiencing can be a form of queer worldmaking. I begin by establishing that audiencing is a process that takes place over time and is not confined to the seat you’re sitting in while consuming various media. Because audiencing is a nearly invisible process, I turn to fandom and fanworks to demonstrate what some of the other parts look like. From there, I take a mystorical approach. That is, I use mystory to braid my personal audiencing, popular culture examples, and professional scholarship together to create a wide image. What becomes apparent …

The Choreo-Story Workshops: Devising Body Narratives, Montana J. Smith

LSU Doctoral Dissertations

This multi-methodological project analyzes the utility of the proposed performance method, the Choreo-Story, within the field of Performance Studies. The Choreo-Story is a movement-based performance method, mode of devising, and performance product. It is a performance tool that can be used to understand how embodiment and dance help individuals make sense of the many identities they perform. This method highlights the body as both a text and tool for storytelling. To analyze the Choreo-Story method, I use Kenneth Burke’s Dramatistic Approach to examine three performance acts that occurred in the HopKins Black Box theatre between 2016 and 2018: my …

Mini-Actors, Mega-Stages: Examining The Use Of Theatre Among Children And Youth In U.S. Evangelical Megachurches, Carla Elisha Lahey

LSU Doctoral Dissertations

How do children and youth first encounter the performing arts? While schools may stand out as an obvious answer, a recent study conducted by the U.S. Department of Education shows that the percentage of public schools offering theatre classes dropped at both the primary and secondary level from 2000-2010 (Brenchley). Yet, even as arts offerings experience a decline in some public schools, many students are being introduced to performance through another venue – the evangelical megachurch.

Since the birth of the church growth movement in the 1970s, megachurches (defined as Protestant congregations that average at least 2,000 weekly attendees) have …

Modes Of Cartoon Corporeal Performance, Gregory Langner

LSU Doctoral Dissertations

This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …

A Narrative And Performative Methodology For Understanding Adolescent Cancer Stories, Patrick Mcelearney

LSU Doctoral Dissertations

The field of health communication places considerable attention on coping with cancer, typically using social scientific approaches to investigate uncertainty, information, and/or social networks. Social scientific models of coping with adolescent cancer often measure how behaviors seek to manage cancer’s uncontrollability and/or uncertainty; however, how adolescents cope with cancer has been unclear. Short-term studies show adolescents typically and atypically cope. Long-term studies show a significant portion of survivors exhibit post-traumatic stress. The narrative and performative turns expose the role narratives and performatives play in shaping human subjects as meaning makers rather than merely information sharers. A narrative subject reframes cancer’s …

Labor And Delivery: Television Performances By Pregnant Actresses From 1948-2016, Evleen Michelle Nasir

LSU Doctoral Dissertations

Labor and Delivery: Television Actresses’ Pregnant Performances from 1948-2016, examines the labor of six pregnant actresses working on United States television. Mary Kay Stearns, Lucille Ball, Jane Leeves, Kerry Washington, and Katey Sagal all worked through pregnancies while filming their respective television shows. These women exemplify the multitude of actresses who maintained their careers and their pregnancies in the television industry. This is the first study of its kind to examine the labor of an actresses’ pregnant body on film while she performs a role other than herself. Previous examinations of pregnancy in performance are few but have largely focused …

Precarious Democracy: "It Can't Happen Here" As The Federal Theatre's Site Of Mass Resistance, Macy Donyce Jones

LSU Doctoral Dissertations

The scholarly consensus of the Federal Theatre Project (FTP) is that it was a massive undertaking set to employ theatre professionals during the Great Depression. That undertaking resulted in vibrant, relevant theatre that helped to build a theatre audience across the nation. Outside of the overview-style scholarship, specialized studies have delved into the FTP as a community-building enterprise, a site of racial/ethnic study, and an essential new play creator.

My scholarship fills a hole that previous FTP scholarship has left open. The FTP was a political machine engaged in producing pro-American propaganda. That aspect of production has been largely left …

The Machine Gun Hand: Robots, Performance, And American Ideology In The Twentieth Century, Benjamin Michael Phelan

LSU Doctoral Dissertations

Twentieth-century Marxist philosopher Louis Althusser argued in his famous essay “Ideology and Ideological State Apparatuses” that capitalism reproduces itself by interpellating individuals as subjects. For Althusser, the subject has a dual definition: a person who imagines him or herself to be a free subject who then “chooses” capitalism, and a person who, once they have “chosen” capitalism, gives up their free will to the Subject (Law, God, Authority, the State). This dual definition of the subject mirrors the dual definition of “robot.” A robot is both a mechanical being that moves on its own and a person who acts in …

Cuban Routes Of Avant-Garde Theatre: Havana, New York, Miami, 1965-1991., Eric Mayer-Garcia

LSU Doctoral Dissertations

My dissertation interrogates how the movement of artists between Havana, New York, and Miami shaped experimental theatre aesthetics, formed a shared discourse of theatrical thought, and introduced a particular vein of experimental practices into U.S. American avant-garde theatre, especially as it intersects with U.S. Latina/o theatre and LGBTQ theatre. I interrogate the theatre history of these three cities as horizontal and contiguous, challenging historical narratives of U.S. American neocolonial dominance and superiority, as well as narratives of diaspora that position Havana as an authentic origin. The central contribution of my dissertation is to synthesize the archival evidence that documents connections …

Professional Wrestling: Local Performance History, Global Performance Praxis, Neal Anderson Hebert

LSU Doctoral Dissertations

Professional Wrestling: Local Performance History, Global Performance Praxis, is a work of interdisciplinary scholarship (combining elements of theatre history, performance studies, and philosophy) that addresses an area of performance currently under-researched within the liberal arts and humanities: professional wrestling. My dissertation directs much-needed attention to the fact that professional wrestling is the only kind of live drama many Americans ever see (or even want to see). Although it is no doubt easy for theatre historians and performance theorists to dismiss this performance practice because of its location somewhere between “illegitimate sport” and “lowbrow popular entertainment,” I contend that United States …

Violent Conventions: An Analysis Of The Unintended Aesthetics Of On-Stage Accidents, Jeremy Matthew Reynolds

LSU Doctoral Dissertations

In theatre scholarship, the event of the on-stage accident is a fairly neglected area of research. Aside from brief archival detailing of some of the more tragic events, scholars have not approached the accidents from a theoretical or historiographical position. Many, I surmise, find little of interest in an on-stage accident due to its lack of aesthetic purpose or intentionality. In this project, I focus on those neglected accidents and, more specifically, accidents that take place due to a violent failure of theatrical convention. I discuss three specific moments where a theatre convention – established to concretize the world of …

Tensions Between Abstraction And Replication In Early-Twentieth-Century Design : Norman Bel Geddes' Designs For Broadway's The Miracle, John Thomas-Hood Mabry

LSU Doctoral Dissertations

I make a major contribution to American scenographic historiography with this revised account of Norman Bel Geddes’ set for Max Reinhardt’s 1924 Broadway production of The Miracle, a design theatre scholars have consistently used not only to define Geddes’ aesthetic “versatility,” but also as a prime exemplar of New Stagecraft style. Based on both secondary and primary research material, I contend that the cathedral setting was neither indicative of Geddes’ fundamental aesthetic principles, nor of the aesthetic principles of the New Stagecraft. I firmly establish the principles of the latter within the first definitive, concise demarcation of what constitutes New …

Restoring Performance : Personal Story, Place, And Memory In Post-Katrina New Orleans, Anne-Liese Juge Fox

LSU Doctoral Dissertations

Following the devastation of 80 percent of the city of New Orleans and the prolonged period of trauma due to levee failure and lack of effective emergency response in 2005, New Orleanian performing artists independently and along with national artists to create post-K performances as acts of restoration. This study explores post-disaster New Orleanian performances that engage with the interaction of personal story, place, and memory in response to disaster. How are these site-specific performances at significant sites of memory performative in the J.L. Austin sense? In the context of disaster, what are ethical implications of remembering? How may certain …

Projected Performances: The Phenomenology Of Hybrid Theater, David Edward Coley

LSU Doctoral Dissertations

Throughout the 20th century, mediatized forms gained prominence and eclipsed the theater as a site of cultural power and popularity. Because of this tension, performance theorists like Peggy Phelan framed the definition of theater through its inherent differences from film and television. Other theorists like Philip Auslander problematized this distinction, particularly due to television’s similarities to live performance. The cinema, however, has remained an opponent to performance, ignored in favor of technologies that more readily promote a sense of “liveness.” In Projected Performances, I argue that film projection is more closely related to performance than previously thought, particularly when viewed …

Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson

LSU Doctoral Dissertations

This dissertation aims to establish the importance of Charles II in the shaping and evolution of Restoration theatre. Even more so than the playwrights themselves, Charles II determined the future of the theatre, both by his conscious efforts to do so, as well as unintentionally through his own behavior and image. The tradition of Restoration theatre began in 1660 with Charles’s efforts at establishing a consensus theatre, in which it would appear that he enjoyed unanimous support for his return to England from exile. Consensus theatre was determined by the perception of Charles’s rule and character, his power to manipulate …