Arts and Humanities Commons^™

Transcript Of The Kiwanda Fish Company, Kristina Hogevoll, Martin Knopf

All Story Transcripts

This story is an excerpt from a longer interview that was collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. In this story, Kristina Hogevoll briefly describes her family’s first fishing company in Pacific City and then describes, in great detail, the work involved in their second, larger company, the Kiwanda. Marty Knopf describes how the Kiwanda Fish Company looked out for all the fishermen and how that contributed to the special Pacific City dory community.

Transcript Of Creating The Dory Days Posters, Carol M. Johnson

All Story Transcripts

This story is an excerpt from an interview collected as part of the Launching through the Surf: The Dory Fleet of Pacific City project. The on-the-spot interview was conducted on the beach at Cape Kiwanda during Dory Days 2012. In this story, Carol Miles Johnson, Pacific City artist and dorywoman, describes the inspiration and process involved in the design of her series of Dory Days posters, which she began creating in 2004.

Launching Through The Surf: The Dory Fleet Of Pacific City, Cassidy Davis, Jennifer Layton

2012 Projects

The Keck Summer Collaborative Research Program provides opportunities for Linfield College students and faculty to conduct research on issues related to the Pacific Northwest, and to bring the research findings back into the classroom within the subsequent academic year. Students partner with faculty to conduct research and present their work to other students, Linfield staff and faculty, and community members during a series of brown bag lunches. Cassidy Davis and Jennifer Layton conducted research with Tyrone Marshall and gave this presentation during the summer of 2012.

This phase of Launching through the Surf: The Dory Fleet of Pacific City consists …

Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner

Faculty Publications

This paper argues that Victorian Shakespeare burlesques reveal an alternate literary history: a movement away from private, novelistic consciousness toward collaborative performance. Many materialist scholars fault post-Romantic critics for casting Shakespeare as a psychological realist and reading his plays as if they were novels. The burlesque treatment of Hamlet’s soliloquies, however, suggests a contrary trajectory, challenging the equation of Shakespearean character with psychological reflection. Rather than inaugurating a tradition of interiority, Hamlet’s soliloquies generate social speech in works like Gilbert’s Rosencrantz and Guildenstern, inviting audience participation. The burlesque imperative also inflects novels like Dickens’s Great Expectations, turning the …