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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Fall Dance Concert (November 10-11, 2011), Lindenwood University
Fall Dance Concert (November 10-11, 2011), Lindenwood University
Student Dance Programs
Program for Fall Dance Concert (November 10-11, 2011).
Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming
Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming
Student Theatre Programs
Program for Batboy: The Musical (October 27-29, November 2-4, 2011).
The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll
The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll
Student Theatre Programs
Program for The Folks Next Door (September 29-30, October 1, 2011).
To view the photos from this production of The Folks Next Door , please click here.
Diary Of A Dream, Donnell Walsh
Diary Of A Dream, Donnell Walsh
Faculty Scholarship
LIndenwood University academic dean's description of the process of building a new performing arts center.
J. Scheidegger Center For The Arts, 2011-2012 Season Program, Lindenwood University
J. Scheidegger Center For The Arts, 2011-2012 Season Program, Lindenwood University
J. Scheidegger Center for the Arts
J. Scheidegger Center for the Arts, 2011-2012 Season Program
J. Scheidegger Center For The Arts, Spring 2011 Program, Lindenwood University
J. Scheidegger Center For The Arts, Spring 2011 Program, Lindenwood University
J. Scheidegger Center for the Arts
J. Scheidegger Center for the Arts, Spring 2011 Program
Directing Beyond The Boundaries: A Director's Journey To Personal Style In Directing Diaspora, Mary Elizabeth Wlodarczyk
Directing Beyond The Boundaries: A Director's Journey To Personal Style In Directing Diaspora, Mary Elizabeth Wlodarczyk
Theses
Even though, the text of Diaspora was technically "mine" in the sense that J wrote Diaspora, the play text itself became a separate creature at its completion. So the production of Diaspora was not so much my directing a play I wrote, as much as it was an agreement between me and the new text, an autonomous life. In this exacting negotiation, I had to chose where I reside on the spectrum directing philosophies, whether I would embrace complete fidelity to the text or would I see the directing process as more intuitive and flexible (Benedetti 14-15)?
The writers and …