Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Fall Dance Concert (November 10-11, 2011), Lindenwood University Nov 2011

Fall Dance Concert (November 10-11, 2011), Lindenwood University

Student Dance Programs

Program for Fall Dance Concert (November 10-11, 2011).


Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming Oct 2011

Batboy: The Musical (October 27-29, November 2-4, 2011), Keythe Farley, Brian Flemming

Student Theatre Programs

Program for Batboy: The Musical (October 27-29, November 2-4, 2011).


The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll Sep 2011

The Folks Next Door (September 29-30, October 1, 2011), John R. Caroll

Student Theatre Programs

Program for The Folks Next Door (September 29-30, October 1, 2011).

To view the photos from this production of The Folks Next Door , please click here.


Diary Of A Dream, Donnell Walsh Jul 2011

Diary Of A Dream, Donnell Walsh

Faculty Scholarship

LIndenwood University academic dean's description of the process of building a new performing arts center.


J. Scheidegger Center For The Arts, 2011-2012 Season Program, Lindenwood University Jun 2011

J. Scheidegger Center For The Arts, 2011-2012 Season Program, Lindenwood University

J. Scheidegger Center for the Arts

J. Scheidegger Center for the Arts, 2011-2012 Season Program


J. Scheidegger Center For The Arts, Spring 2011 Program, Lindenwood University Jan 2011

J. Scheidegger Center For The Arts, Spring 2011 Program, Lindenwood University

J. Scheidegger Center for the Arts

J. Scheidegger Center for the Arts, Spring 2011 Program


Directing Beyond The Boundaries: A Director's Journey To Personal Style In Directing Diaspora, Mary Elizabeth Wlodarczyk Jan 2011

Directing Beyond The Boundaries: A Director's Journey To Personal Style In Directing Diaspora, Mary Elizabeth Wlodarczyk

Theses

Even though, the text of Diaspora was technically "mine" in the sense that J wrote Diaspora, the play text itself became a separate creature at its completion. So the production of Diaspora was not so much my directing a play I wrote, as much as it was an agreement between me and the new text, an autonomous life. In this exacting negotiation, I had to chose where I reside on the spectrum directing philosophies, whether I would embrace complete fidelity to the text or would I see the directing process as more intuitive and flexible (Benedetti 14-15)?

The writers and …