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Full-Text Articles in Arts and Humanities

A Makeup Artist’S Guide To Mastery The Standard Procedure, Michaela Fordham, Mary Farahnakian Jun 2017

A Makeup Artist’S Guide To Mastery The Standard Procedure, Michaela Fordham, Mary Farahnakian

Journal of Undergraduate Research

It is a rare opportunity to be able to study makeup design in a collegiate setting, especially one of Brigham Young University’s standard. Because I have the unique perspective of approaching makeup with an academic perspective, I wanted outside research to aid my personal career pursuit as well as explore the different jobs in the makeup industry. I wanted to find the common standards of procedures within different fields to compile a presentation for other makeup artists as well as inform others of Brigham Young University’s excellent program.


“Sometimes You Have To Be A Little Bit Naughty”: Matilda The Musical Through A Feminist Lens, Kristin Perkins, Megan Sanborn Jones Jun 2017

“Sometimes You Have To Be A Little Bit Naughty”: Matilda The Musical Through A Feminist Lens, Kristin Perkins, Megan Sanborn Jones

Journal of Undergraduate Research

My research analyzed the popular musical Matilda to dissect and explicate underlying feminist ideologies. The grant went primarily to helping fund a trip to New York City where I was able to watch Matilda the Musical as well as helping to fund my trip to present my research at a conference in Chicago. This project has yielded two conference presentations thus far and I am continuing to work towards fulfilling my Honors Thesis requirement using this as my research topic.


Ethnography Of Dance Pedagogy Traditions: Chinese Dance Culture Compared To Eurocentric Dance Culture, Caitlin Shill, Marilyn Berrett Jun 2017

Ethnography Of Dance Pedagogy Traditions: Chinese Dance Culture Compared To Eurocentric Dance Culture, Caitlin Shill, Marilyn Berrett

Journal of Undergraduate Research

This project’s purpose was to analyze the traditions, customs and philosophies of professors at the College of Dance at Beijing Mingzu University during Brigham Young University’s China dance study abroad. Recording and analyzing their pedagogical practices informed our own theories on the optimal balance between nurturing artistic development while preserving technical traditions. The globalization of the world’s dance community has revolutionized teaching philosophies. The international standard for dance pedagogy and technique for professional dancers continues to defy preceding theories as pedagogical practices are shared and incorporated into various training systems. China has consistently produced some of the world’s best technicians …


Ethnographic Observation Of Dance Pedagogy At The Minzu University For The China Dance Study Abroad, Emily Bayles, Marilyn Berrett Jun 2017

Ethnographic Observation Of Dance Pedagogy At The Minzu University For The China Dance Study Abroad, Emily Bayles, Marilyn Berrett

Journal of Undergraduate Research

In Asian cultures, a lack of creativity shows a hindering element to the success and progress of the Chinese dancers’ education. Keeping with tradition, the “purpose of the arts was not the making of ‘art’”1. A few methods of dance pedagogy put into action have enhanced the students’ ability to expand their knowledge and individual voice in the world of dance “rather than the creation of “perfect” art”2.


Putting It Together: Creating, Rehearsing, And Performing, Scott Whipple, George Nelson Jun 2017

Putting It Together: Creating, Rehearsing, And Performing, Scott Whipple, George Nelson

Journal of Undergraduate Research

As a dancer the music dance theatre program, who is pursuing his goal to be on Broadway, the chance to be the dance captain for a musical is a priceless opportunity. When I was asked to be the dance captain for BYU’s stage production of Disney’s Beauty and the Beast, I jumped at the opportunity. Getting the chance to work closely with a director like George Nelson as well as choreographer Becky Write Phillips was something I could not pass up, even though I was taking 21 credits; it was a challenge I was willing to take on. I knew …


The Culture Of British Servitude And Music, Erin Meeks, Jeff Parkin Jun 2017

The Culture Of British Servitude And Music, Erin Meeks, Jeff Parkin

Journal of Undergraduate Research

I am writing a feature-length screenplay set in Victorian England about a servant of a manor trying to bring her mother’s fairy tales to life to escape her homesickness. However, I soon realized that writing this screenplay based solely on internet articles and my love of the BBC series Downton Abbey was not going to provide the research necessary to create an authentic setting and a believable, nuanced character. For this reason, I applied for an ORCA grant to attend a six-week study abroad program with the Theater and Media Arts department so that I could gather on-site research.


A Study Of The Variances Between China’S And The United State’S Dance Education Strategies, Tessa Homer, Kate Monson Jun 2017

A Study Of The Variances Between China’S And The United State’S Dance Education Strategies, Tessa Homer, Kate Monson

Journal of Undergraduate Research

As a dance education major at Brigham Young University (BYU), my constant goal is to improve my teaching strategies by studying methods of effective teaching and observing my professors. Through my dance and education courses at BYU, I have developed a personal teaching style and toolbox of different strategies and methods. The opportunity to travel to China and participate in prestigious dance courses expanded my knowledge of diverse teaching methods and styles. This project enabled me to recognize, study, and compare the various strategies of effective dance education in the United States and China and implement those techniques into my …


The Heyday Of Hats A Look At Headwear In The 1950s, Kirsten Watkins, Mary Farahnakian Jun 2017

The Heyday Of Hats A Look At Headwear In The 1950s, Kirsten Watkins, Mary Farahnakian

Journal of Undergraduate Research

With the end of World War II came a drastic change in fashion. Gone were the stiff shoulders and narrow silhouettes and in came the New Look of 1947, designed by Christian Dior. This look emphasized soft curves, narrow waists, and large wide skirts—a far cry from wartime fashions where fabric was rationed and such skirts were seen as a luxury that few could afford. With this change of fashion came a change in hats. While wartime hats were still widely worn, many new hats came onto the scene. This decade became the culmination of different hat styles from the …