Arts and Humanities Commons^™

A Christmas Carol (November 29-30, December 1-2, 2012), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol (November 29-30, December 1-2, 2012).

To view the photos from this production of A Christmas Carol, please click here.

A Man Of No Importance (October 12-13, 18-20, 2012), Terrence Mcnally

Student Theatre Programs

Program for A Man of No Importance (October 12-13, 18-20, 2012).

Romeo And Juliet, Courtney Mohler

Scholarship and Professional Work – Arts

No abstract provided.

The Gods Come For Play: Visualizing The Divine In Balinese Theatre, Chandler Payne, John Park

Featured Research

Playwrights, practitioners, and art historians have been shocked and inspired by Balinese theatre time and time again because it reveals the extent of devotion the Balinese have for their religion. Although many researchers have investigated the functionality through the performance aspect of the play, there is a lack of published research devoted how the functionality of the ritual and play are influenced by the physical aesthetic properties of the Barong and Rangda mask. The theatrical aspects are to be considered through investigating these masks in relation to the temple space of the Taman Aran. By investigating the aesthetic properties of …

The Shape Of Things (September 20-23, 2012), Neil Labute

Student Theatre Programs

Program for the The Shape of Things (September 20-23, 2012).

To view the photos from this production of The Shape of Things, please click here.

2012-2013 Production Season Poster, Carrie D. Applegate

Department of Theatre Arts Posters

Poster for 2012-2013 Production Season. Season includes productions of Becoming: An Evening of Short Plays, The Importance of Being Earnest, Thoroughly Modern Millie, The Misunderstanding

I Just Knew: Love Stories From Westminster Village, Allison M. Sutton

Honors Projects

My project focuses on the goal of learning to create an ethnodrama (a theatre piece created from qualitative research data) based on stories from a specific community, to be performed for that community. I plan to conduct a focus group and 6-8 interviews at Westminster Village, workshop a staged reading of a new hour-long play based on texts from the interviews and focus group with IWU theatre students, and perform this staged reading at Westminster Village for the participants in my study and invited guests. I hope to learn qualitative research methodologies, including entering the field and conducting focus groups …

A Streetcar Named Desire (April 6-7, 12-14, 2012), Tennessee Williams

Student Theatre Programs

Program for A Streetcar Named Desire (April 6-7, 12-14, 2012).

Once Upon A Mattress (March 8-11, 2012), Jay Thompson, Dean Fuller, Marshall Barer

Student Theatre Programs

Program for Once Upon a Mattress (March 8-11, 2012).

A Midsummer Night's Dream (February 2-4, 2012), William Shakespeare

Student Theatre Programs

Program for A Midsummer Night's Dream (February 2-4, 2012).

Dramaturg As Artistic Instigator, Megan J. Mcclain

Masters Theses 1911 - February 2014

Dramaturgs have been struggling to define themselves and assert their raison d'être in the American theatre for the past four decades. In an evolving theatrical landscape that includes expanding new play development processes and new modes of collaborative interdisciplinary theatre-making, the role of the dramaturg must be reexamined in order for it to stake a new artistic claim in the field. Devised theatre-making processes rely on dramaturgical practice as an integral part of generating, editing, and structuring performance material and offer a fertile artistic avenue for dramaturgs to utilize their skills. To explore the role of the dramaturg in devised …

The Masks Of Commedia Del’Arte, Noh Theater And Classical Greece: The Cultural Meanings, Influences And Similarities, Makena Bennett

A with Honors Projects

This essay examines the use and meanings of masks in Noh, commedia dell'art, and classical Greek theatre.

Manipulating Fate: Medical Innovations, Ethical Implications, Theatrical Illuminations, Karen H. Rothenberg, Lynn W. Bush

Faculty Scholarship

Transformative innovations in medicine and their ethical complexities create frequent confusion and misinterpretation that color the imagination. Placed in historical context, theatre provides a framework to reflect upon how the ethical, legal, and social implications of emerging technologies evolve over time and how attempts to control fate through medical science have shaped -- and been shaped by -- personal and professional relationships. The drama of these human interactions is powerful and has the potential to generate fear, create hope, transform identity, and inspire empathy -- a vivid source to observe the complex implications of translating research into clinical practice through …

Flier For Macbeth, Mary Moynihan

Concert Programmes

No abstract provided.

Acting For Change – Four Drama Workshop Models In Anti-Racism, Anti-Sectarianism, Human Rights And Gender Equality And Storytelling To Promote Reconciliation, Mary Moynihan

Books/Book Chapters

This booklet is written by Mary Moynihan and produced by Smashing Times Theatre Company Limited as part of Acting for Change, a year-long arts programme using high quality drama and theatre processes to promote reconciliation within Donegal and on a cross-community, cross-border basis. As part of the project, in addition to presenting a professional theatre performance and seminar, the company developed four new awareness raising participative drama workshop models, designed by Mary Moynihan to promote anti-racism, anti-sectarianism, equality and storytelling for reconciliation.

The four drama workshop models are printed in full in this booklet along with resource information for drama …

(The “Avos” Phenomenon: A Non-Censured Theatre In The Novosibirsk University, 1975-1976). In: Mosty (The Bridges), Frankfurt, Germany, 2012, 33: 204–257.] [Part 1], Victor Fet, Serge Camyshani, Aleksandr Troitsky, Oleg Polyankov, Elena Fedorovskaya, Aleksandr Butorin, Mark Taraban, Sergei Kovalenko

Biological Sciences Faculty Research

In 1975-1976, a group of science students of the Novosibirsk University (Russia, Siberia) created a small theatre that managed to avoid the official censorship for the entire season. In this memoir, several former actors, now scattered across the world, reconstruct the detailed history of their “Phenomenon” theatre 35 years later. The central event was the (first) staging (December 1975) of Andrey Voznesensky’s long poem “Avos'!”, long before the famous rock opera appeared.

теъане

В 1975-1976 гг. группа студентов Факультета Естественных Наук Новосибирского университета (Академгородок) умудрилась создать свой неподцензурный маленький театр «Феномен», который успел просуществовать целый сезон. В этих мемуарах бывших …