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The Sacred And The Secular In Clay's Quilt, Charlie Sweet, Hal Blythe
The Sacred And The Secular In Clay's Quilt, Charlie Sweet, Hal Blythe
Hal Blythe
n a telling scene toward the opening of Clay's Quilt (NY: Ballantine, 2001), Silas House has the novel's protagonist, Clay Sizemore, heading up Town Mountain toward the Hilltop Club, the local honkytonk. As he approaches the club, Clay notices that "across the bowl that held the town, another mountain rose up" (52). The most noticeable feature on this opposite mountain is a "marble statue of Jesus with his arms stretched out in front ... so lit up that it could be seen for miles" (52). Importantly, this scene acts as House's foreshadowing of the struggle Clay will endure as he …
The Sacred And The Secular In Clay's Quilt, Charlie Sweet, Hal Blythe
The Sacred And The Secular In Clay's Quilt, Charlie Sweet, Hal Blythe
Charlie Sweet
n a telling scene toward the opening of Clay's Quilt (NY: Ballantine, 2001), Silas House has the novel's protagonist, Clay Sizemore, heading up Town Mountain toward the Hilltop Club, the local honkytonk. As he approaches the club, Clay notices that "across the bowl that held the town, another mountain rose up" (52). The most noticeable feature on this opposite mountain is a "marble statue of Jesus with his arms stretched out in front ... so lit up that it could be seen for miles" (52). Importantly, this scene acts as House's foreshadowing of the struggle Clay will endure as he …
Water Imagery In 'Clay's Quilt', Charlie Sweet, Kevin Rahimzadeh
Water Imagery In 'Clay's Quilt', Charlie Sweet, Kevin Rahimzadeh
Charlie Sweet
No abstract provided.