Arts and Humanities Commons^™

Prólogo, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Comentarios A La Escena Sin Límites De José Sanchis Sinisterra, José V. Saval

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Cosme Pérez, Actor Tudelano, Francisco Sáez Raposo

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author unearths new fundamental data about Cosme Pérez, the most celebrated and famous actor of the 17th century, about his biography - mainly his tudelan origin and his birth certifícate - and his family. This article includes the transcription of such a document, looked for in vain by Cotarelo y Mori, who assumed that Pérez should have been born in Madrid.

El autor aporta nuevos datos fundamentales acerca de la biografía de Cosme Pérez, Juan Rana y de su familia. Pérez fue el actor más famoso y festejado del siglo XVII, protagonista de entremeses escritos especialmente para él. El …

Música, Espacio Escénico Y Estructura Dramática En El Jardín De Falerina De Calderón De La Barca, Alejandra Pacheco Y Costa

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

In 1934, Emilio Cotarelo described El Jardín de Falerina as the first theatrical work in which Calderón de la Barca essaied a new gender intended to be performed in Spanish Court, with a greater participatíon of music than any other work until its date, according to historian Cotarelo y Mori. The creation of this comedy was thus the beginning of a new dramatic gender: the zarzuela. During seventy years since Cotarelo's work, his opinion about the gender of El Jardín de Falerina has been worked out by several scholars, and the aim of the present work is to reconsider …

El Público Del Teatro Griego Antiguo, Máximo Brioso Sánchez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author deals with several aspects concerning theatre audience in classical Athens, among others its behaviour and influence on the evolution of dramatic genres, as well as its social composition and the view the playwrights had of it.

El autor examina diversos aspectos referidos al público teatral ateniense de la época clásica, entre otros su conducta y su papel en la evolución de los géneros dramáticos, así como la composición social y la visión que de él tenían los dramaturgos.

El Manifiesto Teatral De Los Hermanos Machado: ¿1928 Ó 1933?, Manuela Fox

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The Manifiesto teatral by the machado brothers has been preserved ín at least three different versions, which, according to some scholars might have been written either by both brothers or only by Antonio. The author of this article examines the Manifiesto and brings to light several important points of it, underlines several Machados' theatrical principies and emphasizes the modernity of their theatre.

El Manifiesto teatral de los Machado se nos ha conservado en, al menos, tres versiones distintas, atribuidas por los estudiosos a los dos hermanos o a Antonio en particular, la autora examina ese texto y saca a la …

Lorca, El Cubismo Y La Distorsión Del Tiempo, Huw Aled Lewis

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Traditionally, Lorca"s plays Comedia sin titulo. El público, and Así que pasen cinco años have been analysed as experimental works that are radically different from his rural trilogy or other, more conventional works. This article will approach Así que pasen cinco años from a dífferent viewpoint, examining it as a direct precursor of Bodas de sangre and as an experiment not only in projecting the complexities of the human mind, but also as an attempt to translate to the theatre some of the ideas that have been associated with pictorial Cubism.

Tradicionalmente, obras lorquíanas como Comedia sin titulo, …

From República Inmoral To La Peste Fascista: Agit-Prop Theatre Of The Second Republic, Catherine O'Leary

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

This article considers the relationship between culture, specifically the theatre, and the State during the Second Republic and analyses some of the work of certain writers who employed propagandistic theatre to fUrther their political aims. It examines the purpose, both political and artistic, of this theatre before going on to demonstrate how its reception by the state"s censors during the Second Republic and the early Civil War years mirrored the political changes and confusion of the period. Finally, some conclusions are drawn about the worth of this theatre, both as art and as social document.

Tomando como punto de partida …

El Cumpleaños De La Abadesa: Una Loa De Alonso Martín Brahones En El Convento De Santa Inés De Sevilla (1671), Carmen Alarcón Román

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The theatre staged in enclosed convents for women in Spanish Golden Age and XVIIIth century was an interesting dramatic practice that still remains almost unknown. Some plays were wntten, performed and directed by nuns themselves, but in other cases a professional poet was usually put in charge of the composition of these specific convent pieces that commemorated the taking of vows by a novice, Christmas Eve, Corpus Christi and other celebrations. One of these plays, which we are analyzed here, is a loa written by Alonso Martin Brahones in 1671 for the convent of Santa Inés of Seville, in honour …

El Teatro Español En La Cartelera De Toulouse Entre 1995 Y 2002, Irene Aragón González

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The autor of this article studies, in detail and statlstically, theatre actlvities In Toulouse between 1995 and 2002.

La autora estudia, detallada y estadísticamente, la cartelera de Toulouse entre los años 1995 y 2002: representaciones, antecedentes, montajes, trayectoria de las compañías locales, etc.

Teoría Del Drama Histórico A Través Del Teatro De La Subtendencia Radical, Manuel Pérez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

This article examines the influence of history conceptions among the playwrights of the so-called radical subtendency. Most frequently, these authors apply to their plays their Marxist and revisionist views about history.

Este articulo evalúa la influencia del concepto de lo histórico en los autores del teatro crítico radical. De manera predominante, el punto de vista sobre la historia aplicado a sus obras se adscribe a los principios del realismo socialista.

Apuntes Celestinescos (I): Una Edición Moderna De La Celestina, Héctor Brioso Santos

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

La Propuesta Teatral De Los Teatros De Arte En España, Mar Rebollo Calzada

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The Teatros de arte appear in Spain in the twilights of the 19th century as an offer of artistic renovation against commercial theatre, following the model of Antoine. During the twenties, this model of theatre develops the most innovative productions headed by Martínez Sierra, Rivas Cherif, and groups as El Mirlo Blanco or Fantasio. The alternative answers to commercial theatre promoted new ways of stage management, interpretation and scenographic solutions, inaugurating a route towards the aesthetic change and the education of the public.

Los Teatros de Arte en España aparecen en las postrimerías del siglo XIX como propuesta de …

Reseñas

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Simone Schwarz-Bart : Quel Intérêt? Classer L’Inclassable, Christiane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

Critics do not agree on what constitutes the interest of the works of Schwarz- Bart. However, four major tendencies are apparent in the many critical studies of her works: some are interested in the "creole experience" her novels are said to portray, others in the "feminine experience", while others again in the "mythological" dimension and the question of what is borrowed from oral literature. These different approches interpret the works of Schwarz-Bart essentially in the perspective of "testimony" and, even though there is a consensus as to the originality of her writing, there is little analysis of the specific techniques …

Réceptions De L’Oeuvre D’Émile Ollivier : De La Difficulté De Nommer L’Écrivain Migrant, Joubert Satyre

Présence Francophone: Revue internationale de langue et de littérature

Abstract: Who is a migrant writer? That’s the question asked by Québec institutions which legitimatize literature, including journalistic critics and scholars. The aim of our paper is to make an inventory of the terms employed by these institutions to name Émile Ollivier (1940-2002), an Haitian novelist who has been exiled in Québec since the mid-sixties. These terms reveal a discontent and vagueness in the attempt to link the novelist to a nationality or a country. Between appropriation and dismissal, this multiplicity symbolizes a resistance to frankly consider this writer as a Quebecer. We also refer to the "in-between" of all …

Research Note: Bsc Foreign Language Department Hosts First International Symposium, Leora Lev, Duilio Alayamacedo

Bridgewater Review

No abstract provided.

The Craft Of Emotion In Isabel Allende's Paula , Susan Carvalho

Studies in 20th & 21st Century Literature

Isabel Allende's narrative, from her first novel The House of the Spirits (1982) through the most recent works, has often been branded as "sentimental..."

The Integration Of A Fragmented Self In The Works Of Angelina Muñiz-Huberman, Malva E. Filer

Studies in 20th & 21st Century Literature

Literary creation is always a transposition of individual and collective experiences…

La Escena Madrileña De 1906 A 1911, Rocío Letón Rojo

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Violent Fathers And Runaway Sons: Colonial Relationships In Une Vie De Boy And Mission Terminée , Laurie Corbin

Studies in 20th & 21st Century Literature

This study examines familial relationships in two novels published by Ferdinand Oyono and Mongo Beti shortly before Cameroon's independence in 1960, making use of three levels of analysis. The first shows the impact of colonization on familial and social structures, in particular the ways in which the weakening of the traditional hierarchy leads to the flight of young men from their families and villages. The second looks at the two novels as showing the relationship of France (who was often represented as a kindly parent to its colonies), the colonized countries, and their citizens: the unpredictable and brutal father can …

The Literal And The Literary: A Note On The Historical References In Isabel Allende's La Casa De Los Espíritus , Scott Macdonald Frame

Studies in 20th & 21st Century Literature

Stripped of much of its individuality as a piece of literature and relegated to the niche set aside for women's writing, Isabel Allende's La casa de los espíritus has sometimes wrongfully been critically condemned as a mere facsimile of García Màrquez's seminal Latin American novel. However, if critics were to reexamine La casa de los espíritus as a work of fiction in which its writer attempts to give voice to, and achieve personal closure of, historical events so tragically real for her, its comparisons with that "other" Latin American novel might be less frequent. This article contends that Allende uses …

Review Of Recent Publications

Studies in 20th & 21st Century Literature

Bishop, Michael, ed. Women's Poetry in France, 1965-1995. by Martine Antle

Black, Stanley. Juan Goytisolo and the Poetics of Contagion: The Evolution of a Radical Aesthetic in the Later Novels by Bernardo Antonio González

Fachinger, Petra. Rewriting Germany from the Margins: "Other" German Literature of the 1980s and 1990s by Cornelius Partsch

Graham-Jones, Jean. Exorcising History: Argentine Theater under Dictatorship by Daniel Altamiranda

Wishnia, Kenneth J. Twentieth-Century Ecuadorian Narrative by Adelaida López de Martínez

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Aizenberg, Edna. Parricide on the Pampa? A New Study and Translation of Alberto Gerchunoffs "Los gauchos judíos" by Jan Mennell

Emerson, Caryl, ed. Critical Essays on Mikhail Bakhtin by Michael Barry

Finney, Gail. Christa Wolf by Stephen Brockmann

Hoeg, Jerry. Science, Technology, and Latin American Narrative in the Twentieth Century and Beyond by Paul Fallon

Mendez-Ramirez, Hugo. Neruda's Ekphrastic Experience: Mural Art and Canto general by Agustin Boyer

Perriam, Chris, Michael Thompson, Susan Frenk, and Vanessa Knights. A New History of Spanish Writing: 1939 to the 1990s by William Sherzer

Soto, Francisco. Reinaldo Arenas by Marina Llorente

Published Articles, Vols. 1 - 26

Studies in 20th & 21st Century Literature

A list of articles in volumes 1 - 26.