Arts and Humanities Commons^™

How Service-Learning In Spanish Speaks To The Crisis In The Humanities, Terri Carney

Terri M. Carney

Service-learning is a transformational pedagogy with timely application to the teaching and learning of foreign languages. In our current climate of assessment outcomes, language study and the humanities more generally tend to be devalued and rendered invisible by utilitarian models of evaluation. Incorporating service-learning courses and experiences into the foreign language classroom provides real- world immersion for students in their local linguistic and cultural communities, satisfies teachers’ desires to connect teaching and research to local community issues, and allows departments to meet institutional and educational goals. Indeed, service-learning points us to new definitions of old concepts—such as the role of …

The Story Not Told: Sex And Marriage In Pardo Bazán's "Los Cirineos" And "La Argolla", Linda Willem

Linda M. Willem

This article examines how narrative strategies of indirection employed in “Los cirineos” and “La argolla” engage the reader’s ethical participation in examining and questioning societal norms concerning sex and marriage. In “Los cirineos,” the opposition between the moral and the immoral is broken down by the presence of what Shlomith Rimmon Kenan has called “doubly-directed clues,” resulting in mutually exclusive readings of the text that exemplify C. Namwali Serpell’s concept of oscillating narration. In “La argolla,” the sexual content of a proposition is suggested rather than stated due to what Robyn Warhol has defined as its “antinarratable” nature, but it …

Highlighting The Hidden: Visual Representation In Gutiérrez Aragón's Demonios En El Jardín, Linda Willem

Linda M. Willem

According to Spanish film maker Manuel Gutiérrez Aragón, there is an intimate relationship between the family and the state, with the traits of the family mirroring those of the state in which it exists: "la primera célula del Estado es la familia, y si el Estado, por definición, es opresivo, la familia es igualmente opresiva" (García Fernández 331). "Yo utilizo la familia en mis películas porque es muy real, muy testimonial. La familia repite fielmente la estructura social 0 estatal" (Payán and López 27). In Demonios en el jardín (1982) Gutiérrez Aragón uses the metaphor of the family not only …

“Cómo Representar La Violencia: Sobre Los Ejércitos De Evelio Rosero” (How To Represent Violence: A Review Of The Armies By Evelio Rosero), Andrés Henao Castro

Andrés Fabián Henao-Castro

No abstract provided.

A Comparison Of Healthcare Systems In Illinois, Usa And Catalonia, Spain, Carolyn Nadeau, Jennifer Boll, '14

Carolyn A Nadeau

No abstract provided.

The Final Colony: Catalanism In The Context Of The Disaster Of 1898, Carmela Ferradans, Nathaniel Douglas, '

Carmela Ferradans

No abstract provided.

Mad Love: The Problematization Of Gendered Identity And Desire In Recent Mexican Women's Novels, Cynthia Duncan

Cynthia Duncan

No abstract provided.

Huaso Romance As Neoliberal Reform In Sebastián Silva's La Nana, Stephen Buttes

Stephen M Buttes

Building on the work of recent critics, this essay asserts that the narrative of illness and recovery at the center of Sebastián Silva's film La nana (2009) can be understood as allegorically working through the contradictions between economy and culture in contemporary Chile. Diverging from these critics, however, the essay argues that the film operates its critique by mobilizing the narrative structures that characterized Chilean criollista novels, and in particular the huaso romance narrative. Far from arguing that the film represents a nationalist or folkloric take on contemporary Chile, the essay asserts that Silva reconfigures the huaso romance to construct …

“‘Duelos Y Quebrantos Los Sábados:’ La Influencia Judía Y Musulmana En La Dieta Del S. Xvii.”, Carolyn A. Nadeau

Carolyn A Nadeau