Arts and Humanities Commons^™

Inner Portraits, Bethany Salisbury

Graduate Theses

This paper investigates the many interconnected layers of women’s mental health through portraiture and how animal and plant symbolism can represent the way women's hormones and bodily health affect their mental health. I reveal how the artwork created presents these connections and inner mental health narratives to the viewer, creating a space of empathy, destigmatization, and self-reflection. This body of portraiture art connects five women through a series of both two-and three-dimensional portraits based on interviews using my own adaptation of Sara Lawrence-Lightfoots’ (1983) portrait methodology.

Women and non-binary individuals have always dealt with difficult interactions of bodily and mental …

Ganges In Indian Sculpture And Literature: Mythology And Personification, Nalini Rao

Monsoon: South Asian Studies Association Journal

The river Ganges is a symbol of wealth, purity and eternity, and its sacred waters have inspired sages, philosophers, and artists in India who have immortalized its divine imagery. However, it has rarely been understood from a historical point of view, as to how it became so sacred and to view it from a multi-dimensional and interdisciplinary perspective with an accumulation of layers of historical thought and practices, provides a rationale for the living practices around the river. The paper explores the evolution of the concept of sacredness and eternity of River Ganges through art- historical and archaeological evidence. It …

Les Six Continents: An Exploration Of Political Visual Rhetoric In Public Sculpture, Olivia Liu Guillotin

Senior Projects Spring 2022

Les six continents series stands as remnants of the 1878 Exposition Universelle and as a visual marker of the cultural, social, and economic culture of the time period. The series, serving as public art, continues to inform and participate in its environment and space, as it is on display by the entrance of the Musée d’Orsay today. Personified representations of Europe, Asia, Africa, North America, South America, and Oceania as allegorical female figures, the series offers insight into the colonial world where it emerged, and how its impact has visually been ingrained in contemporary society. By using these six statues …

Isamu Noguchi's Modernism: Negotiating Race, Labor, And Nation, 1930-1950, Stephanie Takaragawa

Sociology Faculty Articles and Research

In a study that combines archival research, a firm grounding in the historical context, biographical analysis, and sustained attention to specific works of art, Amy Lyford provides an account of Isamu Noguchi's work between 1930 and 1950 and situates him among other artists who found it necessary to negotiate the issues of race and national identity. In particular, Lyford explores Noguchi's sense of his art as a form of social activism and a means of struggling against stereotypes of race, ethnicity, and national identity. Ultimately, the aesthetics and rhetoric of American modernism in this period both energized Noguchi's artistic production …

Christian Petersen: From Denmark To The New Deal To Campus Sculptor, Lea Rosson Delong

The Bridge

Christian Petersen (1885-1961) was a Danish-American sculptor (Figure 1) whose accomplishment and importance in the history of American art is being increasingly understood and recognized.1 The first goal in this presentation is to present a small portion of his work and to discuss why his reputation is growing and, at the same time, weave in aspects of his Danish background.

Christian Petersen, Sculptor, J. R. Christianson

The Bridge

Christian Petersen (1885-1961), a native of Dybb0l in what was once Prussian Schleswig and today is Danish S0nderjylland, became the first artist-in-residence at any American college or university in 1934. The most recent book about him and his art, by Lea Rosson DeLong and others, places Petersen alongside Grant Wood, John Steuart Curry, and Thomas Hart Benton as one of the leading American Regionalists of the nineteen-thirties and 'forties. DeLong also reveals Petersen's strong Danish-American ties and some of the Danish elements that helped to shape his art.

He Came, He Saw, He Conquered, Aase Bak

The Bridge

Every morning when President Reagan leaves the White House and casts worried glances to the left toward Capitol Hill where Congress sits and impedes life for him, he can hardly avoid seeing the equestrian statue in front of the Treasury Building. The statue is one of the great heroes of the United States, a victor from the Civil War, General William Tecumseh Sherman. He is shown mounted and surrounded by symbols of war and peace.