Arts and Humanities Commons^™

Church Space As Queer Place? Lgbtq+ Placemaking, Assimilation, And Subversion Within Progressive Faith-Based Spaces In Maine, Salina Chin

Honors Projects

In popular discourse, understandings of queerness and religiosity as antithetical proliferate. However, the political involvement of Portland, Maine’s First Parish Unitarian-Universalist Church in Maine’s queer political movement points to a more complex relationship between the LGBTQ+ community and progressive religious institutions. Through participant observation, archival research, and semi-structured interviews with nine LGBTQ+ community members and informants, I reveal the crucial role of Portland’s First Parish Unitarian-Universalist Church in Maine’s queer political movement from the late 1980s into the present day. On the one hand, progressive faith-based spaces across Maine provide safe spaces for queer political organizing. On the other hand, …

Religious Negotiation And Identity Formation: Reading Material Religion In Oaxaca’S “Guelaguetza Oficial”, Rene Sebastian Cisneros

Honors Projects

The Oaxacan Guelaguetza Oficial is a folk-dance festival in the state of Oaxaca, Mexico which takes place on the last two Mondays of July each year. This state-sponsored celebration of Oaxacan identity is intertwined within histories of Indigenous religious belief and Catholic everyday practice. The Guelaguetza Oficial can be traced back to late 19^thcentury celebrations venerating the Virgen del Carmen Alto. Oaxaqueños today predominantly practice an Indigenous-Catholic tradition whose rituals, festive scripts, pantheon of popular saints, and immanent understandings of heavenly power over earthly events can be traced back to negotiations between Indigenous forms of popular belief …

Jigs, Reels, And “Realness”: An Investigation Of Ideas Of Authenticity And Tradition In New England French Canadian Music, Lowell Ruck

Honors Projects

Franco-American culture is increasingly recognized as an integral part of the heritage of Maine and New England, and has attracted growing academic attention in recent years. But while many scholars and cultural promoters focus on the French language in their work on this subject, few studies have considered the position of traditional music in Franco-American communities in the 21^st century. This thesis examines French Canadian traditional music as it is played in New England and the ways in which musicians think about authenticity and tradition in their art. Using material from ethnographic interviews, it illuminates how musicians draw from …

“How The World Could Be In Spite Of The Way That It Is”: Broadway As A Reflection Of Contemporary American Sociopolitical Life, Isabel Thomas

Honors Projects

Drawing on the plays and musicals of the 2018-2019 Broadway season, this thesis examines how theatre responds to the sociocultural, economic, and political conditions of society. Sociologists have largely overlooked theatre’s cultural influence, but Broadway productions act as social reflection by reproducing the conversations and inequalities of their context. Access to Broadway is limited, in various manners, by socioeconomic class, race, gender, ability, and age. As conversations about equity expand and audiences increasingly demand diversified representation, Broadway begins to shed the restraints of its conventions. In many regards, the recent changes fail in meaningfully transforming the Broadway institution. Those who …

Répresentations De La Banlieue Dans Le Cinéma Français Contemporain, Yaw Owusu Sekyere

Honors Projects

Inhabitants of the poor French banlieues are rejected and isolated from the larger French society, who refuse to acknowledge their marginalization. As a result, the cycle continues where no political change is made. The French film genre, cinéma de banlieue, seeks to explain the perspectives of the underrepresented and marginalized groups within France. This honors project analyzes the representations of the banlieue through the films of La Haine (Mathieu Kassovitz), Wesh wesh qu’est-ce qui se passe ? (Rabah Ameur-Zaïmeche), Bande de filles (Céline Sciamma), Divines (Houda Benyamina), and Banlieusards (Kery James & Leïla Sy). These films focus on the …

Chambers Of Reflection: Rousseau, Tocqueville, And Self-Government In The Digital Age, John Sweeney

Honors Projects

Jean-Jacques Rousseau and Alexis de Tocqueville each warn that the dominant cultures of their days may hinder the project of self-government. Against the backdrop of advancing Enlightenment philosophy, Rousseau writes that as social visibility increases relative to intimate connection, the drive for recognition corrupts self-love. Following the American and French revolutions, Tocqueville explores the democratic erosion of social hierarchies. He writes that a rise in individualism may obscure “self-interest well-understood”—the perspective gained through collaboration with others, thoughtful reflection, and reverence for truths that lie beyond the dictates of cursory instincts.

In this project, I apply these political theories to the …

Leadership From Within: Founders, Advocates, And Organizational Networks Operating In Maine's Immigrant Community, Samuel Robert Kenney

Honors Projects

Much of the discourse surrounding African immigration to Maine has centered on the provision of public services that facilitate community development and integration. This project investigates different types of leadership strategies employed by African individuals in Maine that advance community objectives. When African immigrant leaders are empowered to affect public policy, they re-frame traditional conceptions of aid-dependency and vulnerability commonly applied to African immigrants in media and popular culture. Through leadership in nonprofit and civic spheres, African immigrant community leaders translate grassroots connectivity with informal networks into meaningful influence in the realm of public policy. This project focuses on the …

From Left To Right? White Evangelical Politicization, Gop Incorporation, And The Effect Of Party Affiliation On Group Opinion Change, Devon B. Shapiro

Honors Projects

While most white evangelicals in America have advocated moral, cultural, and social conservatism since the Founding, the group’s fiscal and social welfare preferences have been more volatile. Early 20^th century evangelicals tended to be socially conservative, fiscally liberal, and, to the extent that they were politicized, mostly Democratic partisans. Since that time, not only have white evangelicals abandoned the Democratic Party, but also they have largely become fiscal and social welfare conservatives. I attempt to explain that transformation. I first examine the dynamics of white evangelical politicization and GOP incorporation, providing social and historical context to the political and …

Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein

Honors Projects

This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring …