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Full-Text Articles in Arts and Humanities

Sasquatch Sunset, Dereck Daschke Jan 2024

Sasquatch Sunset, Dereck Daschke

Journal of Religion & Film

This is a film review of Sasquatch Sunset (2024), directed by David Zellner and Nathan Zellner.


By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg Mar 2021

By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg

Journal of Religion & Film

The musical film, “The Heart that Sings” (2011), written and directed by Robin Saex Garbose, is part of a genre of films created by and for Orthodox Jewish women. Heart provides a case study that illustrates the depth and breadth of Lubavitch Rebbe Menachem Mendel Schneerson’s (1902-1994) influence on Jews and Jewish life well beyond his own community members. Schneerson’s outreach work via his shlichim, or emissaries, to unobservant Jews is well-recognized. The extent and nuance of his influence on a broad cross-section of Jews, however, has yet to be fully traced. Heart tells its viewers that Jewish women …


Religion And Violence In Jesse James Films, 1972–2010, Travis Warren Cooper Apr 2017

Religion And Violence In Jesse James Films, 1972–2010, Travis Warren Cooper

Journal of Religion & Film

This essay analyzes recent depictions of Jesse James in cinema, examining filmic portrayals of the figure between the years of 1972 and 2010. Working from the intersection of the anthropology of film and religious studies approaches to popular culture, the essay fills significant gaps in the study of James folklore. As no substantial examinations of the religious aspects of the James myths exist, I hone in on the legend’s religiosity as contested in filmic form. Films, including revisionist Westerns, are not unlike oral-history statements recorded and analyzed by anthropologists, folklorists, and ethnographers. Jesse James movies, in other words, have much …


Babette's Feast And The Goodness Of God, Thomas J. Curry Oct 2012

Babette's Feast And The Goodness Of God, Thomas J. Curry

Journal of Religion & Film

This article attempts to answer the preeminent question Babette’s Feast invites viewers to consider: Why does Babette choose to expend everything she has to make her feast? Of the critical studies made of the film, few have considered analytically crucial the catastrophic backstory of Babette, the violence of which is implied and offscreen. Appreciation of the singularity of Babette’s own personhood and the darker aspects of her experience, and not only how she might act as a figure of Christ, are key to understanding the motivating force behind her meal and its transformative effect: That through the feast Babette lays …