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Full-Text Articles in Arts and Humanities
Barrios-Lech_Linguistic_Interaction_Appendix_Five.Docx, Peter G. Barrios-Lech
Barrios-Lech_Linguistic_Interaction_Appendix_Five.Docx, Peter G. Barrios-Lech
Peter Barrios-Lech
Appendix 5, "Supplementary Material for Parts III-IV," Barrios-Lech, P. Linguistic Interaction in Roman Comedy (Cambridge).
1st_Plural_Hortatory_Subj_Menander_New.Xls, Peter G. Barrios-Lech
1st_Plural_Hortatory_Subj_Menander_New.Xls, Peter G. Barrios-Lech
Peter Barrios-Lech
This is the data for my article, "The First Person Plural Hortatory Subjunctive in New Comedy"
Cuasi Factivos, Axel Barcelo Aspeitia, Robert J. Stainton
Cuasi Factivos, Axel Barcelo Aspeitia, Robert J. Stainton
Robert J. Stainton
We introduce a construction which we label 'quasi-factive'. They are heard like factives, in that we immediately take the complement to be true. Yet they aren't really factive at all. Examples include: 'It's not widely known that Marta was born in Canada' (because she was born in Uruguay); 'Don't tell anyone that Carlos will run as a candidate' (because he won't); 'Did it bother Jane that Miguel came?' (no, because Miguel didn't come). We identify sub-categories of our quasi-factives, and then tentatively explore a pragmatic explanation of how they work their magic.