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Full-Text Articles in Arts and Humanities
We Work, We Eat Together: Anti-Authoritarian Mutual Aid Politics In New York City, 2004-2013, David Spataro
We Work, We Eat Together: Anti-Authoritarian Mutual Aid Politics In New York City, 2004-2013, David Spataro
Dissertations, Theses, and Capstone Projects
New York City's neoliberal restructuring has fundamentally transformed the city's labor market and privatized many important aspects of a once robust municipal welfare system. In this research I examine one radical response to these changes: anti-authoritarian mutual aid groups that blend Do-It-Yourself (DIY) culture with direct action politics. These are projects where activists attempt to build strong communities of resistance by organizing collective forms of social reproduction. I find that these projects are a threat to neoliberal urbanization because they reorganize reproduction beyond the household scale while simultaneously criticizing the social relations of capitalism as the root of household insecurity. …
Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner
Spectacles Of Reform: Theater And Activism In Nineteenth-Century America By Amy E. Hughes (Review), Jocelyn Buckner
Theatre Faculty Articles and Research
In Spectacles of Reform Amy Hughes advocates for “spectacle as methodology” (4), a means of interpreting spectacle in nineteenth-century melodrama, as well as a wide variety of other media, that rehearses and reforms concepts of citizenship and identity related to race, class, gender, and morality. Through this lens, Hughes seeks to answer the questions “where and how do activist spectacles appear before and beyond the theatrical encounter?” and “why is spectacle kept alive through reinvention, revision, and repetition long after the drama is over?” (5). Hughes traces her theory of the spectacular instant through three popular sensation themes of the …
The Argentine Tango As A Discursive Instrument And Agent Of Social Empowerment: Buenos Aires, 1880-1955, Lorena Elizabeth Tabares
The Argentine Tango As A Discursive Instrument And Agent Of Social Empowerment: Buenos Aires, 1880-1955, Lorena Elizabeth Tabares
Open Access Theses & Dissertations
As an indisputable central element of Argentine popular culture, the tango constitutes much more than an artistic expression or a recreational activity. It is the manifestation of a collective ideology and idiosyncrasy. The development of the tango as a song of the people and social history between the 1880's and the first half of the 20th century, was not merely the result of a matter of identification but more importantly, the fact that it, in its `tridimensionality' comprised of music, dance and lyrics, offered the milieu to the existence of the people that identified with it. In other words, the …