Arts and Humanities Commons^™

Black Pugilism: The First Act In Twentieth Century America, Angel Mario Lopez

Electronic Theses, Projects, and Dissertations

When teaching about the twenty-first century in the United States of America, educators delve deeply into how the Jim Crow Era was but a new manifestation of a slave-era philosophy. As W.E.B. Du Bois states in his 1903 book The Souls of Black Folk, “the problem of the Twentieth Century is the problem of the color-line.” Inspiring pro-Jim Crow government officials and citizens to impose economic and political segregation on black citizens that, on paper, are “separate but equal” when infringing on their civil and human rights deliberately. Limiting the black individual to the status of second-class citizenship where …

Full Court Press: The Influence Of Midnight Basketball, Talk Radio, And Racial Coding On The Violent Crime Control And Law Enforcement Act Of 1994, George “Matt” Patino

Electronic Theses, Projects, and Dissertations

During the latter half of the twentieth century, “dog whistle” rhetoric increasingly entered the common vernacular, normalized by politicians and media personalities. Initially, the terminology was ambiguous, but it became racially charged when the media started broadcasting images of African Americans alongside the “thug” label. This research explores how “dog whistles” were, in part, a neoconservative response to the liberal policies of President Lyndon B. Johnson and his “Great Society.”

This study explores how “Great Society” policies aimed to balance the liberal expansion of Civil Rights with neoconservative “law and order” policing strategies. This research also investigates how right-wing talk …

Espacio, Edgar Perez Peña, Edgar Perez Peña

Electronic Theses, Projects, and Dissertations

Edgar Perez Peña (He, Him, His) is a Queer, Chicanx contemporary figurative painter, who lives and works in the Los Angeles County. A native of Los Angeles, California, his paintings, and assemblages are a strong combination of process, materials, and content that displays his fascination on how physical/psychological space (from where he resides), reflects on the Queer Brown body and its comfort/discomfort in relation to public and private space.

Peña looks at his artistic practice as an opportunity to explore the human condition from the Queer and Brown perspective as well the beginning of healing through the meditative process of …