Arts and Humanities Commons^™

From Creator To Curator To Author As Content: Nicolas Winding Refn, Transdiscursive Authorship, And Self-Branding In Twenty-First Century Media, Christopher J. Olson

Theses and Dissertations

This dissertation traces Danish director Nicolas Winding Refn’s development from creator and curator to author as content within an evolving media ecology driven by capitalist ideology. A close critical study of Refn’s career from 1996 to 2019 offers insight into contemporary techniques of creating, collecting, and curating media texts, as well as the phenomenon of presenting oneself as content via discursive branding. Given that Refn’s career coincided with the emergence of the World Wide Web and the rise of digital platforms, he thus emblematizes what it means to be a creator working within an increasingly interconnected media ecology. Refn initially …

Just Say No: Authority, Disobedience, And Individuation In Some Of Sam Peckinpah’S Minor Films, Ron Felten

Theses and Dissertations

Sam Peckinpah is best known for his films The Wild Bunch (1969) and Pat Garrett and Billy the Kid (1973), and quite a bit of the existing scholarly work on Peckinpah focuses on these two films; what’s more, much of the work that does exist on his other films tends to be subjective and celebratory. The aim of this project is to critically and soberly examine Peckinpah’s relatively minor works and from particular perspectives. Specifically, this dissertation focuses on one of the major thematic threads that runs through all of the director’s films, both major and minor: how ordinary people …

Retrograde Returns Of The American Housewife: Reimagining An Old Character In A New Millennium, Ruth Emelia Wollersheim

Theses and Dissertations

This dissertation explores the immensely popular return of the housewife character in the twenty-first century. From films like The Stepford Wives (2004), to television dramas like Desperate Housewives (2004-2012) and The Good Wife (2009- ), to reality shows like Wife Swap (2004- ), Bravo’s The Real Housewives franchise (2006- ), Basketball Wives (2010- ), Mob Wives (2011- ), and most recently on the blogosphere with personalities like The Pioneer Woman, Ree Drummond, the housewife character has reentered our imaginations on a mass scale. This anachronistic character trend is in stark contrast to the urban, working superwoman ideal of the 1980s …

Institutional Influence On Documentary Form: An Analysis Of Pbs And Hbo Documentary Programs, Mark Joseph Irving

Theses and Dissertations

INSTITUTIONAL INFLUENCE ON DOCUMENTARY FORM - A COMPARATIVE ANALYSIS OF PBS and HBO DOCUMENTARY PROGRAMS

by Mark Irving

The University of Wisconsin – Milwaukee, 2015

Under the Supervision of Professor Michael Z. Newman

Beginning in the 1980s, the documentary genre has undergone a transformation to accommodate modes of stylistic expression and subjective thematic exposition previously not evident in the genre. This deviation from the form’s traditional modes of expression typically associated with fact-based, journalistic pursuits can be attributed to the institutional underpinnings of media outlets that exhibit documentary programming. These institutional factors, a consequence of an evolving marketplace and shifts …