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Full-Text Articles in Arts and Humanities
Joan Rivers: Comedy And Identity On The Road To Fashion Police, Melanie Gaw
Joan Rivers: Comedy And Identity On The Road To Fashion Police, Melanie Gaw
Theses and Dissertations
This thesis analyzes how Joan Rivers’ comedy content and style changed during the first 30 years of her career and how these changes impacted Rivers’ presentation of her identity as a Jewish female comedian. This project focuses on Joan Rivers’ career in two sections: her early career with its reliance on a self-deprecatory style of humor spanning roughly from her first appearance on The Tonight Show in 1965 to the early 1980s, and a transitional period in her career that saw a shift toward a celebrity gossip style of humor during the 1980s. I perform textual analyses of some of …
Masculinity In American Television From Carter To Clinton, Bridget Kies
Masculinity In American Television From Carter To Clinton, Bridget Kies
Theses and Dissertations
This dissertation examines American television during a period I call the long 1980s. I argue that during this period, television became invested in new and provocative images of masculinity on screen and in networks’ attempts to court audiences of men. I have demarcated the beginning and ending of the long 1980s with the declaration of Jimmy Carter as Time magazine’s Man of the Year in 1977 and Bill Clinton’s inauguration in 1993. This also correlates with important shifts in the television industry, such as the formation of ESP-TV (later ESPN) in 1979 and the end of Johnny Carson’s tenure as …
"Don't Be Such A Girl, I'M Only Joking!" Post-Alternative Comedy, British Panel Shows, And Masculine Spaces, Lindsay Anne Weber
"Don't Be Such A Girl, I'M Only Joking!" Post-Alternative Comedy, British Panel Shows, And Masculine Spaces, Lindsay Anne Weber
Theses and Dissertations
This thesis discusses the gender disparity in British panel shows. In February 2014 the BBC’s Director of Television enforced a quota stating panel shows needed to include one woman per episode. This quota did not fully address the ways in which the gender imbalance was created. This thesis argues that the gender imbalance stems from post-feminist sensibilities and masculine-centric trends in British comedy and culture. This work demonstrates this through a discourse analysis of the opinions expressed about panel shows by the British popular press and media personalities from 2002 to 2017. The discourse analysis exposes patterns where British producers …