Arts and Humanities Commons^™

Review: The Overflowing Of Friendship: Love Between Men And The Creation Of The American Republic, Jen Manion

History Faculty Publications

No abstract provided.

Educating Women: Schooling And Identity In England And France, 1800-1867 (Book Review), Christopher Bischof

History Faculty Publications

Christina de Bellaigue’s Educating Women: Schooling and Identity in England and France, 1800-1867 explores stereotypes about women’s boarding schools on both sides of the English-French Channel. In the process de Bellaigue identifies the basis in reality which many of the most widespread stereotypes had, including: the socially grasping schoolmistress; the schoolmistress as a gentlewoman fallen on hard times; the short-lived nature of many schools; the stress laid on the teaching of “accomplishments”; and the idea that preparing women for their domestic role was the ultimate goal of an education. However, she also simultaneously undermines these stereotypes by supplying nuance and …

Triangulating A Modernization Experiment: The United States, France And The Making Of The Kossou Project In Central Ivory Coast, Abou B. Bamba

History Faculty Publications

Toward the end of the 1960s, authorities in the Ivory Coast decided to build the Kossou Dam, a hydro-electric dam on the Bandama River near the geographic center of the Francophone country. Initially conceived as a technopolitical measure to meet the growing energy demand of the most economically successful country of France's former colonies, the damming experiment soon emerged as a multipurpose regional development project aimed at correcting the regional disparities that tarnished the Ivory Coast's phenomenal economic growth.

This article focuses on the Kossou modernization experience and the sociopolitical transformations that it caused. I argue that the nationalist enthusiasm …

Rescripting Stalinist Masculinity: Contesting The Male Ideal In Soviet Film And Society, 1953-1968, Marko Dumančić

History Faculty Publications

This dissertation traces the evolution of a new type of cinematic masculinity in the fifteen years following Joseph Stalin’s death and examines how controversial post-Stalinist movie heroes became a battleground for the country’s postwar values and ideals. During the 1950s and 1960s, postwar Soviet leadership faced the kinds of sociopolitical ruptures that were also evident on the other side of the Iron Curtain; the Communist Party leadership struggled to moderate the combined destabilizing effect of consumerism, a recalcitrant youth (sub)culture, and Cold War anxieties. Nowhere was the angst of the postwar period more obvious than in the way Soviet filmmakers …