Arts and Humanities Commons^™

Personal Geography, Floating Identities And Inter-Asian Migration In Stories By Migrant Workers In Taiwan, I-Chun Wang

CLCWeb: Comparative Literature and Culture

In her article "Personal Geography, floating Identities and Inter-Asian Migration in Stories by Migrant Workers in Taiwan," I-Chun Wang discusses narratives by migrant workers with the purpose of looking into their personal geographies, their possibilities of integration, their floating identities and their dreams of settlement and possible success. This paper stresses the stories of migration show not only common human values, shared across cultures and creolization, but also sad stories of human-rights violations, injustices, discrimination, and even human trafficking. In these fictional stories or witness literature, cross-cultural conflicts, cultural in-betweenness and cultural hybridity are intertwined with the migrants’ ways to …

From Davao City To Daly City: Examining Translanguaging And Transnationalism In The 1.5-Generation Filipin(A/O) Americans Of Daly City, Rita Ewing

Master's Theses

In the field of migration studies, research on transnationalism has been well

established. Applying an intersectional framework of post-colonial narrative and

linguistic anthropology to transnational migration, this research allows us to better

understand how the transnational immigrant deploys language. Through a nostalgia

studies approach, this study is able to analyze how transnational immigrants place value

on their heritage and second languages, and reflexively deploy their language sets to

reflect their unique positionality. This paper is a case study examination of five adult

members of the 1.5-generation of Filipin(a/o) American immigrants, who immigrated to

the US before the age of eighteen …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.