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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley
Publications and Research
This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.
The Unbribable Witness: Image, Word, And Testimony Of Crimes Against Humanity In Mark Twain’S King Leopold’S Soliloquy (1905), Nora Nunn
Genocide Studies and Prevention: An International Journal
In the creation of King Leopold’s Soliloquy, a textured, visually irrefutable, and darkly satirical account of crimes against humanity in the Belgian Congo Free State, Mark Twain aimed to evoke his Euro-American audience’s empathy by activating their imaginations and inaugurating political reform. Informed by the work of cultural and literary critics such as Roland Barthes, this paper considers how the visual imagery in Twain’s text engender questions about fact, testimony, and witnessing in the realm of human rights and collective violence—both in the Congo Free State and, indirectly, in the United States. I ultimately argue that the relation (or …
The Significance Of John S. Mbiti's Works In The Study Of Pan-African Literature, Babacar Mbaye
The Significance Of John S. Mbiti's Works In The Study Of Pan-African Literature, Babacar Mbaye
Babacar Mbaye
No abstract provided.
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess
Dissertations, Theses, and Capstone Projects
Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …
Complete Issue
Landscapes: the Journal of the International Centre for Landscape and Language
The complete issue 1 of volume 8, Landscapes Journal.
The Sellout By Paul Beatty: “Unmitigated Blackness” In Obama's America, John E. Davies
The Sellout By Paul Beatty: “Unmitigated Blackness” In Obama's America, John E. Davies
ETD Archive
Visibility and invisibility are long-standing tropes in the African-American literary tradition. Frequently they are presented in satiric language. I argue that Paul Beatty's Mann Booker Award-winning novel The Sellout now holds an important role in this tradition. Specifically, The Sellout hearkens specifically to Ralph Ellison's Invisible Man and to Paul Beatty's earlier novel The White Boy Shuffle. Further, The Sellout exposes the ongoing presence and function of racism in an America that has elected its first African-American president, Barack Obama, and that now claims to be "post-racial," even as its spectral reproduction and commodification of blackness persist. By analyzing the …