Arts and Humanities Commons^™

Black Transnationalism And Diaspora In Hip Hop: An Analysis Of Billy Woods’ “Asylum”, Rayli Dornan

Anthós

This paper examines Billy Woods' 2022 song, "Asylum" from the album Aethiopes, situating it between the frameworks of Black transnationalism and diaspora. Woods critiques colonialism and constructs a collective Black cultural identity through lyricism and sampling, despite the universally destructive effects of colonialism. The methodology of this paper involves close reading and listening to "Asylum," supported by theoretical perspectives on Black transnationalism and diaspora. This research also incorporates historical context and Woods' personal background to frame the song's narrative. Key materials include the song's lyrics, its samples, and relevant academic literature on colonialism and Black identity. "Asylum" critiques colonialism …

Race, Gender, Sexuality, And The Pursuit Of Modernity: British Biopower And Female Sexuality In Domestic And Colonial Practice, Alana Tomas

The Great Lakes Journal of Undergraduate History

This paper explores how female sexuality became a primary site for the exercise of British biopolitical regulation as illustrated both in colonial Hong Kong and Singapore and in domestic practice. The application of biopolitical regulation on the subject of female sexuality was based on a discursive production making indissociable the success of the imperial project and the survival of the imperial race and the control of the female body. This discursive production mobilized intersections of race, class, gender and sexuality through the Victorian cult of domesticity, resulting in a racialization of female sexuality with implications transcending the permeable frontier between …

(Special Section) Translating Race: Mission Hymns And The Challenge Of Christian Identity, Philip Burnett

Yale Journal of Music & Religion

“Ye seed of Israel’s chosen race,” “The race that long in darkness pined,” “To heal and save a race undone,” and “Sanctify a ransomed race” are a few examples of many references to “race” that exist in English-language hymnody. Throughout the nineteenth-century, hymns containing lines such as these, were exported from Britain into mission fields where translators had to find new ways to conceptualize notions of race and, in effect, created new group identities. This requires asking critical questions about the implications of what happened when ideas of race, in the Christian sense, interacted with non-religious notions of race in …

Citing Seeds, Citing People: Bibliography And Indigenous Memory, Relations, And Living Knowledge-Keepers, Megan Peiser Choctaw Nation Of Oklahoma

Criticism

By turning the page or reading further, you are accepting a responsibility to this story, its storyteller, its ancestors, and its future ancestors. You are accepting a relationship of reciprocity where you treat this knowledge as sacred for how it nourished you, share it only as it has been instructed to share, and to ensure it remains unviolated for future generations.

This story is told by myself, Megan Peiser, Chahta Ohoyo. I share knowledge entrusted to me by Anishinaabe women I call friends and sisters, by seed-keepers of many peoples Indigenous to Turtle Island, and knowledge come to me from …

Warp/Weft/Word: Inscriptive Materiality, Epistemological Violence, And The Inka Khipu, Travis Sharp

Criticism

Many competing theories of the Indigenous inscription practice known as the khipu have been offered, from L. Leland Locke’s long-standing postulation that khipus are accounting devices, to Walter Ong’s description of them as aide-mémoire, to Gary Urton’s more experimental theory that they constituted an early form of binary composition. Just as fraught is the history of the khipu, which were utilized by the Inka, intermediated by Spanish and Catholic authorities in their legal and religious systems, and, finally, banned and burned as seditious and sacrilegious. Contemporary khipus are primarily limited to those used by herders, but Chilean American poet-artist Cecilia …

Sorcery, John C. Lyden

Journal of Religion & Film

This is a film review of Sorcery (2023), directed by Christopher Murray.

The Indian Mission Of The Institute Of Blessed Virgin Mary (Ibvm) Nuns: Convents, Curriculum, And Indian Women, Nilanjana Paul

Wagadu: A Journal of Transnational Women's & Gender Studies

This study focuses on the Indian mission of IBVM nuns, and the role played by them in the spread of female education in India. While acknowledging that missionaries were part of the imperial process, this study analyzes the work of Catholic nuns in India, their convents, and curriculum to show how their work advanced women's educational opportunities in India. In the process the study examines how Catholic nuns resisted the dominating attitude of the Catholic Church in India. The last section of the article examines how Christian influence under missionaries not only prepared good mothers and wives but also trained …

“Filipinos In California, Community, And Identity”: A Personal Inquiry, Sam T. Mcclintock

The Forum: Journal of History

No abstract provided.

Full Issue

The Forum: Journal of History

No abstract provided.

From Paternalism To Superiority: Colonial Ideologies Of The New Norcia Mission, 1847-1974, Evie Levin

The Forum: Journal of History

No abstract provided.

The Dehumanizing Gaze: Race In The Context Of Academic Tourism, Leona Derango

The Commons: Puget Sound Journal of Politics

No abstract provided.

The Commons: Volume 3, Issue 1, Kris Bohnenstiehl, Leona Derango, Ethan Stern-Ellis

The Commons: Puget Sound Journal of Politics

Table of Contents

• Letter From the Editors
  LILA BERNARDIN AND HANNAH WILLIAMS
• Who Sent the Devil Down to Georgia?
  KRIS BOHNENSTIEHL
• The Dehumanizing Gaze: Race in the Context of Academic Tourism
  LEONA DERANGO
• Balancing Populations of Electoral Districts
  ETHAN STERN-ELLIS

White ‘Alliahs:’ The Creation & Perpetuation Of The ‘Wise Indian’ Trope, Jessica Mehta

PSU McNair Scholars Online Journal

Search engine optimization (SEO) and search engine auto-fill features allows us to see how people search online, and the words they use, in real-time. Anonymous querying equates to anonymity, and by nature when we input key words or key phrases in search engines like Google we use succinct, brief, and to-the-point queries. What does this mean for how we search for Native American or “Indian” results? A 2019 SEO and keyword/phrase analysis revealed that the notorious “wise Indian trope” (similar to the “magical negro” trope) is still very prevalent today, particularly when comparing the keyword “wise” paired with non-Native races. …

Colonial Articulations: Race, Violence, And Coloniality In Kafka's "Penal Colony", Marshall Pierce

PSU McNair Scholars Online Journal

Franz Kafka’s short story “In the Penal Colony” has been widely, even exhaustively studied. However, there is a dearth of analysis which stresses the centrality of the colony as a site, and race as a structure, in this text in a sustained and appropriately nuanced manner. While Kafka’s work is often read as representing universal conditions of domination and alienation, this paper argues that “In the Penal Colony” illustrates specific political processes and relations which belong to colonial and racialized orders of power. Reading “In the Penal Colony” alongside theorists such as Frantz Fanon, Achille Mbembe, and Saidiya Hartman, this …

Undying (And Undead) Modern National Myths: Cannibalism And Racial Mixture In Contemporary Brazilian Vampire Fiction, Jacob C. Brown

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Contemporary cultural media illustrates the vampire as an important symbolic figure in the Brazilian imaginary. For example, in twentieth and twenty-first century Brazilian fiction, television, and political discourse, vampires have risen from their supposedly European origins as expressions of urban decay, comic excess, and government corruption in Brazil. Beyond these representations, I focus on three contemporary novels in which the vampire also plays a starring role. O vampiro que descobriu o Brasil (1999) by Ivan Jaf, Aventuras do vampiro de Palmares (2014) by Gerson Lodi-Ribeiro, and Dom Pedro I Vampiro (2015) by Nazarethe Fonseca stand out from other creative reimaginings …

Provocations From The Field - Derangement And Resistance: Reflections From Under The Glare Of An Angry Emu, Pattrice Jones

Animal Studies Journal

The situations of emus may illuminate the maladies of human societies. From the colonialism that led Europeans to tamper with Australian ecosystems through the militarism that mandated the Great Emu War of 1932 to the consumer capitalism that sparked a global market for ‘exotic’ emus and their products, habits of belief and behaviour that hurt humans have wreaked havoc on emus. Literally de-ranged, emus abroad today endure all of the estrangements of émigrés in addition to the frustrations and sorrows of captivity. In Australia, free emus struggle to survive as climate change parches already diminished and polluted habitats. We have …

The Colonized Masculinity And Cultural Politics Of Seediq Bale, Chin-Ju Lin

CLCWeb: Comparative Literature and Culture

In her article, “The Colonized Masculinity and Cultural Politics of Seediq Bale,” Chin-ju Lin discusses a Taiwanese blockbuster movie, a postcolonial historiography and a form of life-writing, which delineates the last Indigenous insurrection against Japanese colonialism. This article explores the cultural representations in Seediq Bale. Fighting back as a colonized man for pride and dignity is portrayed as means to restore their masculine identity. The headhunting tradition is remembered, romanticized, praised highly as heroic and even strengthened in an inaccurate way to promote individualistic masculinity and to forge a new national identity in postcolonial Taiwan. Nevertheless, the stereotypical …

Myth And Monstrosity: Teaching Indigenous Films, Ken Derry

Journal of Religion & Film

The past few times that I have taught my course on religion and film I have included a number of Indigenous movies. The response from students has been entirely positive, in part because most of them have rarely encountered Indigenous cultural products of any kind, especially contemporary ones. Students also respond well to the way in which many of these films use notions of the monstrous to explore, and explode, colonial myths. Goldstone, for example, by Kamilaroi filmmaker Ivan Sen, draws on noir tropes to peel back the smiling masks of the people responsible for the mining town’s success, …

The Unbribable Witness: Image, Word, And Testimony Of Crimes Against Humanity In Mark Twain’S King Leopold’S Soliloquy (1905), Nora Nunn

Genocide Studies and Prevention: An International Journal

In the creation of King Leopold’s Soliloquy, a textured, visually irrefutable, and darkly satirical account of crimes against humanity in the Belgian Congo Free State, Mark Twain aimed to evoke his Euro-American audience’s empathy by activating their imaginations and inaugurating political reform. Informed by the work of cultural and literary critics such as Roland Barthes, this paper considers how the visual imagery in Twain’s text engender questions about fact, testimony, and witnessing in the realm of human rights and collective violence—both in the Congo Free State and, indirectly, in the United States. I ultimately argue that the relation (or …

As We Have Always Done: Indigenous Freedom Through Radical Resistance By Leanne Betasamosake Simpson, Bryant Scott

The Goose

Review of Leanne Betasamosake Simpson's As We Have Always Done: Indigenous Freedom Through Radical Resistance.

East Asian "China Doll" Or "Dragon Lady"?, Joey Lee

Bridges: An Undergraduate Journal of Contemporary Connections

This paper argues that the representation of East Asian women in popular media is harmful through its exaggerated portrayal of the ‘China Doll’, and ‘Dragon Lady’, ultimately further exoticizing and dehumanizing East Asian women, ensuring the dominance of the West. I will study these portrayals and their impacts through historical and modern film, modern magazines, and intersectional oppression that the restrictive categorizations place upon women of East Asian descent.

Black Panther As Spirit Trip, Laurel Zwissler

Journal of Religion & Film

This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler. This review analyzes engagement with the movie as a religious experience and considers some political implications of both its storyline and reception. In particular, the piece focuses on constructions of race, especially in relationship to Africa and African Americans, as well as practical tensions around commodifying dissent.

L’Espace Géographique Et La Perspective Postcoloniale Chez Félix Couchoro (1900-1968), Laté Lawson-Hellu

Présence Francophone: Revue internationale de langue et de littérature

The writing of Félix Couchoro, member of the first generation of the Francophone African writers, problematizes the historical, cultural, political and geographic background of the railway system built at the beginning of the twentieth century in Togo. In that problematizing, Félix Couchoro’s writing is in accordance with the geocritic principles as well as those of the postcolonial perspective. By putting those two perspectives together, however, in the reading of that writer’s work, one should go beyond the epistemological frame of the geocritic perspective itself, notably its use of the western postmodern paradigm of indetermination, when it comes to the Francophone …

I Dream In Another Language, John C. Lyden

Journal of Religion & Film

This is a film review of I Dream in Another Language (2017), directed by Ernesto Contreras.

The Patriarch (Mahana), Ken Derry

Journal of Religion & Film

This is a film review of The Patriarch (2016), directed by Lee Tamahori.

Confession, Hybridity, And Language In Gina Apostol’S Gun Dealers’ Daughter, Cecilia Nina Myers

Asian American Literature: Discourses & Pedagogies

In Gun Dealers’ Daughter, Gina Apostol creates multiple tensions reflecting the relationship between the United States and the Philippines and among different linguistic codes. Languages mix throughout the text, set in the Marcos Era Philippines, as symbols of fluidity and disorientation. Other characters’ frequent complex linguistic mix proves alienating for protagonist and narrator Soledad Soliman. Apostol renders Soledad as a young girl disoriented by her inability to competently use native Filipino languages because she spent most of her childhood in the United States and simultaneously traumatized by her role as the daughter of a member of former President Ferdinand …

Undercurrent By Rita Wong, Kelly Shepherd

The Goose

Review of Rita Wong's undercurrent.

The Colonial Roots Of The Racial Fetishization Of Black Women, Caren M. Holmes

Black & Gold

In my research, I examined the history of sexual debasement and abuse of black women throughout American history and its influence of modern racial fetishization. In my paper, I explore the influence of European colonial thought on these modern realities. I argue that the conquest and feminization of the New World led to the dehumanization and conquest of African women who were perceived by colonialists to be byproducts of manifest destiny. My research reflects how the sexual debasement experienced by black women throughout American history has led to the racial fetishization prevalent today. I also consider how this history of …

Liberating Genocide: An Activist Concept And Historical Understanding, Tony Barta

Genocide Studies and Prevention: An International Journal

From the outset, historians of genocide have seen themselves as activists. Among historians of colonial societies that is what distinguishes them most in relation to indigenous peoples. An ethnographic sensibility should be visible in any such study, and the more so when a question of genocide is raised. After all, if we do not have a sense of difference between peoples we fail the test of genocide at the first hurdle. And if we do not have an ethnographic sensibility towards our own cultures (including academic cultures) we will fail to make the most of our role in affecting deeply …

Skin Bleaching In South Africa: A Result Of Colonialism And Apartheid?, Nahomie Julien

DISCOVERY: Georgia State Honors College Undergraduate Research Journal

South Africans have not overcome many of the psychological effects of apartheid and colonialism, some of which are self-hatred and low self-esteem. These negative psychosomatic influences often push people to alter their physical appearance to feel better about themselves, and one of the most common methods of doing so is by bleaching the skin(Abrahams, 2000; Charles, 2003; Singham, 1968). Skin bleaching, the application of topical creams, gels, soaps, and household products (e.g., toothpaste, bleach, washing powder, battery acid) to lighten the skin, has become one of the most common forms of potentially harmful body modification practices in the world within …