Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones
The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones
English Faculty Publications
In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …
Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert
Repugnant Aboriginality: Leanne Howe’S Shell Shaker And Indigenous Representation In The Age Of Multiculturalism, Monika Siebert
English Faculty Publications
Surprisingly for a novel evidently invested in representations of contemporary Choctaw traditionalism as a viable alternative to settler society, LeAnne Howe’s 2001 Shell Shaker gives unrelenting play to the gruesomeness, horror even, of the traditional rituals it depicts, at the risk of reinforcing stereotypes of Indian savagery. And yet, these depictions of the repugnant, that is, of ancient practices now prohibited by law or found reprehensible by a public sense of ethics, allow Howe to escape the integrative thrust of contemporary multiculturalism by pre-emptying identification through difference, an interpretive logic according to which we are all the same because we …
Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones
Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones
English Faculty Publications
Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …
New Narratives Of Southern Manhood: Race, Masculinity, And Closure In Ernest Gaines's Fiction, Suzanne W. Jones
New Narratives Of Southern Manhood: Race, Masculinity, And Closure In Ernest Gaines's Fiction, Suzanne W. Jones
English Faculty Publications
In his fiction Ernest Gaines is interested not only in deconstructing stereotypes but also in presenting new models of southern manhood, for both black and white men. While Gaines has employed traditional definitions of manhood in his fiction, the vision he presents in his most recent novel, A Lesson Before Dying, is similar to that of Cooper Thompson and other contemporary theorists of masculinity, who believe that young men must learn 'traditional masculinity is life threatening' and that being men in a modern world means accepting their vulnerability, expressing a range of emotions, asking for help and support, learning non-violent …