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Race, Ethnicity and Post-Colonial Studies

University of Massachusetts Amherst

James E. Smethurst

2002

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Full-Text Articles in Arts and Humanities

Dawnsong! The Epic Memory Of Askia Toure, James Smethurst Jan 2002

Dawnsong! The Epic Memory Of Askia Toure, James Smethurst

James E. Smethurst

The Black Arts Movement of the 1960s and 1970s profoundly marked culture in the United States. It changed how basic notions of race, ethnicity, nationality, gender, politics, and art were (and are) understood. However, one of the most important literary legacies of the Movement is the continuing productivity of key Black Arts writers, such as Sonia Sanchez, Amiri Baraka, Jayne Cortez, Haki Madhubuti, and Askia Toure. Toure's Dawnsong!, a particularly ambitious example of that productivity, seeks to create a new sort of African American epic, fusing Black Arts mythmaking with a radical post-Black Arts historicism.


"Don't Say Goodbye To The Porkpie Hat": Langston Hughes, The Left, And The Black Arts Movement, James Smethurst Jan 2002

"Don't Say Goodbye To The Porkpie Hat": Langston Hughes, The Left, And The Black Arts Movement, James Smethurst

James E. Smethurst

If one looks to uncover linkages between the Black Arts Movement of the 1960s and 1970s and the earlier radicalisms of the 1930s and 1940s, the work of Langston Hughes as a writer, editor, and cultural catalyst during the 1950s and 1960s is a good place to start. Not only was his writing a crucial forerunner of Black Arts poetry, drama, essays, and short fiction, but Hughes tirelessly promoted the careers of the young (and sometimes not so young) militant black artists then, providing practical, moral, and emotional support and encouragement. At the same time, Hughes constructively criticized both the …