Arts and Humanities Commons^™

Ruby Dee, 1922-2014, Judith Smith

Judith E. Smith

Ruby Dee was a marvelously expressive actor, and a lifelong risk-taking radical committed to challenging racial and economic inequality. She made history as part of an extraordinary group of Black Arts radicals — including Paul Robeson, Lorraine Hansberry, Harry Belafonte, John O. Killens and Julian Mayfield, as well as her husband Ossie Davis — who actively protested white supremacy and thought deeply about the political implications of conventional racial representations, creating new stories and introducing new Black characters to convey deep truths about Black life.

In small parts and choice roles, Dee’s presence lit up stage and screen. In her …

Free Speech Vs. Freedom, C. Heike Schotten

C. Heike Schotten

A critique of the colonial, homonational, and neoliberal contours that define the "freedom" of "free speech" in reference to the Salaita affair.

On The Incivility Of Palestinians, C. Heike Schotten

C. Heike Schotten

A reading of the racist and colonial firing of Steven Salaita from the University of Illinois.

Becoming Belafonte: Black Artist, Public Radical, Judith Smith

Judith E. Smith

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive …

Desire And Disaster In New Orleans: Tourism, Race, And Historical Memory, Lynnell Thomas

Lynnell Thomas

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourist websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. …

Maya Angelou, Poet, Activist And Singular Storyteller, Dies At 86

Joanne Braxton

The Young White Faces Of Slavery, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.

“It’S Time To Expel Religious Extremism From Schools”, Cathy Byrne

Dr Cathy Byrne

No abstract provided.

The Color Of Christ In Haiti, Elizabeth Mcalister

Elizabeth McAlister

Rtop's Second Pillar: The Responsibility To Assist In Theory And Practice In Solomon Islands, Charles Hawksley, Nichole Georgeou

Nichole Georgeou

This paper explores the implementation of a regional capacity-building program in Solomon Islands, a state that experienced significant violence and political tension between 1998 and 2003. The July 2003 intervention of the Regional Assistance Mission to Solomon Islands (RAMSI) is a useful and relevant case study for understanding the operationalization of Pillar II of RtoP, which the authors have termed the “Responsibility to Assist” (RtoA). While RAMSI has not consciously adopted RtoP language in its operations, the rationale for the intervention included humanitarian as well as wider regional security concerns. The mission’s emphasis on developing the state’s capacities in policing …