Arts and Humanities Commons^™

Behind The Lens, Jolie M. Adams Miss

Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Snapshots Of A Fictional Past: Photographic Nostalgia In The Early 20th Century Art Novel., Harry A. Jones Iv

Theses and Dissertations

In this dissertation I argue that the proliferation of a mass codependent relationship with nostalgia in the twentieth century shares a parallel history with the widespread adoption of the reproducible image being used by collective audiences as a supplement for natural memory, or what Proust names “voluntary memory.” This conflict between nostalgia-hungry consumers and artists inspired groups such as Alfred Stieglitz’s Photo-Secessionists and artistically minded authors like Henry James, who employed increasingly complex photographic and literary practices to resist the images’ tendency to debase the aesthetic quality of their own work. Authors such as Marcel Proust and William Faulkner used …

Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch

Genocide Studies and Prevention: An International Journal

Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …

Through The Lens Of Ed Westcott: A Photographic History Of World War Ii's Secret City (Exhibition Catalogue), Sam Yates, Baldwin Lee

Ewing Gallery of Art & Architecture

Catalogue of the 2005 exhibition made possible through a partnership between the Ewing Gallery of Art and Architecture, The University of Tennessee, and the American Museum of Science and Energy, Oak Ridge.

The inaugural showing of this exhibition was held jointly at the Downtown Gallery, The University of Tennessee, and at the American Museum of Science and Energy, Oak Ridge, as a component of the 2005 Tennessee Valley Homecoming.

Carte De Visite, Confederate Generals Sterling Price, John Magruder, William Hardeman, Henry Allen, And Thomas C. Hindman In Mexico, In Civilian Dress, Ca. 1866; Print From Negative By Matthew Brady., Matthew B. Brady

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

These Confederate Generals left the United States for Mexico at the close of the Civil War. Standing in the rear (left to right) are John Bankhead Magruder and William P. Hardeman. Seated (left to right) are Henry W. Allen, Sterling Price, and Thomas C. Hindman. Verso indicates original negative by Matthew Brady. Verso annotations do not appear to be completely correct in identification of subjects.

Source: "http://ozarkscivilwar.org/photographs/confederate-generals-sterling-price-john-magruder-william-hardeman-henry-allen-and-thomas-c-hindman/"

Carte-De-Visite Composite Image: "Booth And His Associates," No Date., Anonymous

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Composite carte-de-visite featuring the likenesses of John Wilkes Booth and the six men convicted of conspiring with him to assassinate President Abraham Lincoln and William Seward. No date.