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Articles 1 - 20 of 20

Full-Text Articles in Arts and Humanities

This Morning, Emily Avent Jan 2001

This Morning, Emily Avent

The Messenger

No abstract provided.


Watching Rasheed Wallace, Daisy Decoster Jan 2001

Watching Rasheed Wallace, Daisy Decoster

The Messenger

No abstract provided.


Part And Counterpart In Nc, Db Ross Jan 2001

Part And Counterpart In Nc, Db Ross

The Messenger

No abstract provided.


The Craft, Daisy Decoster Jan 2001

The Craft, Daisy Decoster

The Messenger

No abstract provided.


A Passionate Eunuch To His Love Or Labor's Loves Lost, Matthew Harper Jan 2001

A Passionate Eunuch To His Love Or Labor's Loves Lost, Matthew Harper

The Messenger

No abstract provided.


Poetry I Clara Schumann's Response To The Death Of Her Husband, The Composer, Robert Schumann, . Anonymous Jan 2001

Poetry I Clara Schumann's Response To The Death Of Her Husband, The Composer, Robert Schumann, . Anonymous

The Messenger

No abstract provided.


(For) Jarvis Cocker, Yellow Ochre, David Staniunas Jan 2001

(For) Jarvis Cocker, Yellow Ochre, David Staniunas

The Messenger

No abstract provided.


Angles And Reflections, Db Ross Jan 2001

Angles And Reflections, Db Ross

The Messenger

No abstract provided.


Blitzkrieg, Peter Hughes Jan 2001

Blitzkrieg, Peter Hughes

The Messenger

No abstract provided.


They Are Too Full, Carrie O'Brien Jan 2001

They Are Too Full, Carrie O'Brien

The Messenger

No abstract provided.


"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower Jan 2001

"Ich Suche Ein Unschuldiges Land," Reading History In The Poetry Of Ingeborg Bachmann, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

In this brief monograph based on her dissertation, Leslie Morris sets out to achieve a series of aims: to contest the alleged divide between Bachmann's poetry and prose, to counter "the myth of her apolitical poetic voice" (10), to address the presence and absence of history in her poetry, and, finally, to consider how to read Bachmann's poetic ceuvre in light of historical developments in Germany and Austria in the 1980s and 1990s. In a sense, Morris is also trying to rehabilitate post-war aesthetic modemism from a reductive, binary mode of criticism that separates aesthetics and politics. Following in the …


Impressions, Lakeside, Katie Dixon Jan 2001

Impressions, Lakeside, Katie Dixon

The Messenger

No abstract provided.


9 Ways Of Seeing A Rainy Day, Nick Salter Jan 2001

9 Ways Of Seeing A Rainy Day, Nick Salter

The Messenger

No abstract provided.


From The Cantos, 1, David Staniunas Jan 2001

From The Cantos, 1, David Staniunas

The Messenger

No abstract provided.


Elementum Amorum, Matthew Harper Jan 2001

Elementum Amorum, Matthew Harper

The Messenger

No abstract provided.


Fire, . Anonymous Jan 2001

Fire, . Anonymous

The Messenger

No abstract provided.


Abel Resuscitated, Emily Kay Carson Jan 2001

Abel Resuscitated, Emily Kay Carson

The Messenger

No abstract provided.


For Philip Larkin (Orchids), David Staniunas Jan 2001

For Philip Larkin (Orchids), David Staniunas

The Messenger

No abstract provided.


The Messenger, 2001 Jan 2001

The Messenger, 2001

The Messenger

No abstract provided.


Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima Jan 2001

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …