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Full-Text Articles in Arts and Humanities

The Photographic Other: Paradox In The Cathexis Of Longing, Alex Cilla Bradley Jan 2018

The Photographic Other: Paradox In The Cathexis Of Longing, Alex Cilla Bradley

Theses: Doctorates and Masters

A photographic and written examination of paradox in relation to the photograph

This research aims to illuminate the relationship between paradox and photography, elaborated via Julia Kristeva’s notion of the abject. Paradox is considered in relation to photography in terms of repeated and unresolved debates about the status of the photograph as either an ‘index of reality’ (Bate, 2004, p. 1) or as a sign. The significance of this research lies in its re-motivation of abjection in terms of paradox, not in order to resolve such debates but, rather, to illuminate the importance of such unresolved contradictions in terms of …


Selling The Modern Day Tribe: The Commodification Of Rave Culture, Duncan Martin Barnes Jan 2018

Selling The Modern Day Tribe: The Commodification Of Rave Culture, Duncan Martin Barnes

Theses: Doctorates and Masters

This thesis examines youth and rave culture from the late 1980s to the present. It considers the history as well as the global and local impact of rave. I provide a visual ethnographic study from 1999-2014, based on my work as a commercial photographer of the Perth, Western Australian scene. While critically reflecting on existing subcultural research this thesis adds another dimension – the effect that global corporations have had in reshaping subcultural practices, specifically the commodification of rave culture in the form of the contemporary electronic dance festival.

The research incorporates both qualitative and quantitative data to interrogate media …


New Australian Plants And Animals. An Exhibition - And - Physiology, Phenomenology And Photography: Picturing The Indeterminate Within An Australian Art Practice. An Exegesis, Michael Gray Jan 2016

New Australian Plants And Animals. An Exhibition - And - Physiology, Phenomenology And Photography: Picturing The Indeterminate Within An Australian Art Practice. An Exegesis, Michael Gray

Theses: Doctorates and Masters

This practice-led research project investigates indeterminate aspects of perception related to human vision and postcolonial conditioning. Through an inventive range of lens-based artworks, the research draws parallels between preconscious visual phenomena and the subjective experience of non-indigenous Australians of multiple generations.

The resulting body of creative work, New Australian Plants and Animals, can be seen to approach preconscious visual phenomena derived from the physiology of the human eye through the use of primitive photographic lens technology. This process is applied to the subject matter: introduced plants and partially naturalised migrants. This synthesis of subject and materials creates new insights …


Memory, Truth And Justice: A Contextualisation Of The Uses Of Photographs Of The Victims Of State Terrorism In Argentina, 1972-2012: Communicating An Intersection Of Art, Politics And History, Richard Askam Jan 2014

Memory, Truth And Justice: A Contextualisation Of The Uses Of Photographs Of The Victims Of State Terrorism In Argentina, 1972-2012: Communicating An Intersection Of Art, Politics And History, Richard Askam

Theses: Doctorates and Masters

Photographs of the victims of Argentine state terrorism from 1972 to 1983, and most prominently those of the detained-disappeared victims of the Proceso de Reorganización Nacional dictatorship (1976-1983), have had a significant role in elucidating the demands of human rights activists since the aftermath of the Trelew Massacre in 1972. In this thesis I examine the role of photographs of victims of state terrorism in the construction of unofficial, or counter, narratives critical of those produced by two dictatorships and by elected democratic administrations in the demand for truth and justice, and in the construction of social memory. I discuss …


Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price Jan 2014

Cultures Of Practice Within Design: An Exploration Of The Differences And Similarities Between Photography And Painting As Representational Practices, Alun John Price

Theses: Doctorates and Masters

Contemporary designers and photographers face many challenges as the profession rapidly develops. This is especially the case in in the Western Australian context. A review into the recent history of the Western Australian design profession is evidence that designers and photographers are consistently shifting between commercial and self-expressive practice. However, the urge to keep up with technological advancement has masked conscious development of this shift, which is a key to self-realisation and improvement for a designer and photographer. This lack of conscious questioning limits holistic development in design practice. This research reflects on myself as a designer developing a response …


Photography And The Paradigm Of The Trace, Daniel Nevin Jan 2013

Photography And The Paradigm Of The Trace, Daniel Nevin

Theses: Doctorates and Masters

The idea that photographs can be explained as traces made by the things they depict has been a recurring paradigm in theories about the nature of the photographic medium. Walter Benjamin, Charles Sanders Peirce, Susan Sontag, Andre Bazin and Roland Barthes are a few of the many theorists who have used the paradigm of the trace to explain the nature of photographs. The paradigm can also be argued to have been a significant influence in the work of prominent artists such as Gerhard Richter, Adam Fuss and Cornelia Parker whose work has explored the photographic medium. Through an exegesis and …


Uncertain Surrenders: The Coexistence Of Beauty And Menace In The Maternal Bond And Photography, Toni Wilkinson Jan 2012

Uncertain Surrenders: The Coexistence Of Beauty And Menace In The Maternal Bond And Photography, Toni Wilkinson

Theses: Doctorates and Masters

This creative inquiry is grounded in my maternal experiences and situated within a feminist approach to photography that develops a discussion of maternal passion and acknowledges the conflicting dynamics of the maternal relationship. The research includes a book of photographs of my children, Georgia and Henry, titled Uncertain surrenders, and a written component explicating the theoretical imperatives that motivated the project. I suggest that the coexistence of beauty and menace within the photographic portraits exquisitely represents the complexity of maternal passion. Julia Kristeva (2005) says, “we lack a reflection on maternal passion” in Western culture because it is an ambiguous …


Un Voyage Vers Une Photographie Feminine: The Gender Politics Of Body And Space, Panizza Ruth Allmark Jan 2003

Un Voyage Vers Une Photographie Feminine: The Gender Politics Of Body And Space, Panizza Ruth Allmark

Theses: Doctorates and Masters

In 1999 I embarked on a photographic journey to various cities around the world. The photographs produced are the results of my critical attention as a woman and a feminist to the issues concerning gender, travel and landscape aesthetics. This dissertation is an analysis of my documentary photographs. I am interested in ways in which my photographs correspond with the French feminist theories of Helene Cixous and Lucy Irigaray on ecriture feminine. Their work on the politics of the body has been influential in my journey towards a photographie feminine. 'Moreover, I also incorporate the feminist work of …


Intimation Of Life : Photographic Portraiture In Art, Richard Munsie Jan 2002

Intimation Of Life : Photographic Portraiture In Art, Richard Munsie

Theses: Doctorates and Masters

Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with those of the painted portrait in Western art and its social use. …


Collaboration, Demystification, Rea-Historiography : The Reclamation Of The Black Body By Contemporary Indigenous Female Photo-Media Artists, Eva Fernandez Jan 2002

Collaboration, Demystification, Rea-Historiography : The Reclamation Of The Black Body By Contemporary Indigenous Female Photo-Media Artists, Eva Fernandez

Theses: Doctorates and Masters

This thesis examines the reclamation of the 'Blak' body by Indigenous female photo-media artists. The discussion will begin with an examination of photographic representatiors of Indigenous people by the colonising culture and their construction of 'Aboriginality'. The thesis will look at the introduction of Aboriginal artists to the medium of photography and their chronological movement through the decades This will begin with a documentary style approach in the 1960s to an intimate exploration of identity that came into prominence in the 1980s with an explosion of young urban photomedia artists, continuing into the 1990s and beyond. I will be examining …