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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Sympathy And The Non-Human: Max Scheler’S Phenomenology Of Interrelation, David Dillard-Wright
Sympathy And The Non-Human: Max Scheler’S Phenomenology Of Interrelation, David Dillard-Wright
Faculty Publications
German phenomenologist and sociologist Max Scheler accorded sympathy a central role in his philosophy, arguing that sympathy enables not only ethical behaviour, but also knowledge of animate and inanimate others. Influenced by Catholicism and especially St Francis, Scheler envisioned a broad, cosmic sympathy forming the hidden basis for all human values, with the “higher” religious, artistic, philosophic and other cultural values enabled by a more basic regard for non-human nature and insights gained from the human situation within the non-human world. Sympathy for the non-human is thus both integral and fundamental to the cultivation of other values in the development …
From Being To Givenness And Back: Some Remarks On The Meaning Of Transcendental Idealism In Kant And Husserl, Sebastian Luft
From Being To Givenness And Back: Some Remarks On The Meaning Of Transcendental Idealism In Kant And Husserl, Sebastian Luft
Philosophy Faculty Research and Publications
This paper takes a fresh look at a classical theme in philosophical scholarship, the meaning of transcendental idealism, by contrasting Kant’s and Husserl’s versions of it. I present Kant’s transcendental idealism as a theory distinguishing between the world as in-itself and as given to the experiencing human being. This reconstruction provides the backdrop for Husserl’s transcendental phenomenology as a brand of transcendental idealism expanding on Kant: through the phenomenological reduction Husserl universalizes Kant’s transcendental philosophy to an eidetic science of subjectivity. He thereby furnishes a new sense of transcendental philosophy, rephrases the quid iurisquestion, and provides a new conception of …
Toward Salvation: Italo Calvino’S Wakeful Phenomenology, May C. Peckham
Toward Salvation: Italo Calvino’S Wakeful Phenomenology, May C. Peckham
Senior Honors Projects
“Lightness.” The word remains inescapable when attending to the mysterious work of Italo Calvino. It appears elusively in the texts of his novels and acts as a catalyst to many of his critical endeavors. Calvino addresses most explicitly this concept of lightness in his collection of lectures entitled Six Memos for the Next Millennium. Although these lectures were never delivered, they exist as a testament to the idea that “the boundless universe of literature” contains “new avenues to be explored, both very recent and very ancient, styles and forms that can change our image of the world” (Six Memos 7-8). …
Artist's Labor, Derek Whitehead
Artist's Labor, Derek Whitehead
Contemporary Aesthetics (Journal Archive)
This essay explores the relations between perception, phenomenology and art practice. The object of my inquiry is the kind of perceptual repertoire available to the artist in relation to his art, which extends beyond the technical means available to art making in its varying forms. I invoke an artist's innate perception as the source and locus of art's creation. This creation of art also has an outward or phenomenological dimension. In this respect, I investigate the ways in which phenomenological perception, via Maurice Merleau-Ponty's hermeneutic insights into artistic activity, might offer to contemporary arts practice a means of reappraising its …